Keith Haring - Keith Haring 1978-1982 - 2012





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Keith Haring 1978-1982, a softback exhibition catalogue published by Kunsthalle, in English, features 254 pages of Keith Haring's early works (1958–1990) in a 2012 reprint.
Description from the seller
Keith Haring: 1978–1982 is more than an exhibition catalogue — it is a rare visual journey into the furnace of creativity that forged one of the 20th century’s most original artistic voices. Published in concert with the exhibition first shown at Kunsthalle Wien and later at venues including the Brooklyn Museum, this book captures the explosive infancy of Keith Haring’s career, a period when the artist transformed the raw energy of New York City into a visual language all his own.
Spanning 256 pages and filled with rarely seen materials — from early sketches and subway drawings to flyers, posters, video stills, journals, word collages, and photographs — the book unpacks the years between 1978 and 1982 as a thrilling incubator of Haring’s unmistakable graphic style. It shows the artist emerging from the underground, absorbing graffiti culture and downtown performance art, and beginning to weave his now-iconic figures and symbols into a bold new mode of public expression.
What makes this monograph especially compelling — and increasingly sought after by collectors and enthusiasts alike — is its focus on work that has seldom been reproduced or discussed in mainstream retrospectives. Drawing alongside his peers, Haring’s early creations reveal the influences that energized him — from raw graffiti lines to the rhythms of club culture — and document his evolution from a passionate student at New York’s School of Visual Arts to a relentless creative force intent on art outside institutional boundaries.
The book is not merely a chronology. It is an intimate portrait of a young artist in motion — absorbing, reacting, reinventing. The texts by editors such as Raphaela Platow and contributions from critics and curators provide context without overshadowing the urgency of the images themselves. As a result, readers feel immersed in the city that shaped him and the provocative ideas that drove him — ideas about accessibility, politics, and art as a tool for connection.
Today, Keith Haring: 1978-1982 is out of print and often hard to find, which has only heightened its allure among art book collectors. Those who hunt down this catalogue do so not for a comprehensive career overview, but for something rarer — a condensed and candid glimpse of Haring at his most raw, driven, and inventive. The book stands as a testament to a brief but brilliant moment in art history, when a young man’s passion for line and life collided with the electric pulse of New York City.
Seller's Story
Keith Haring: 1978–1982 is more than an exhibition catalogue — it is a rare visual journey into the furnace of creativity that forged one of the 20th century’s most original artistic voices. Published in concert with the exhibition first shown at Kunsthalle Wien and later at venues including the Brooklyn Museum, this book captures the explosive infancy of Keith Haring’s career, a period when the artist transformed the raw energy of New York City into a visual language all his own.
Spanning 256 pages and filled with rarely seen materials — from early sketches and subway drawings to flyers, posters, video stills, journals, word collages, and photographs — the book unpacks the years between 1978 and 1982 as a thrilling incubator of Haring’s unmistakable graphic style. It shows the artist emerging from the underground, absorbing graffiti culture and downtown performance art, and beginning to weave his now-iconic figures and symbols into a bold new mode of public expression.
What makes this monograph especially compelling — and increasingly sought after by collectors and enthusiasts alike — is its focus on work that has seldom been reproduced or discussed in mainstream retrospectives. Drawing alongside his peers, Haring’s early creations reveal the influences that energized him — from raw graffiti lines to the rhythms of club culture — and document his evolution from a passionate student at New York’s School of Visual Arts to a relentless creative force intent on art outside institutional boundaries.
The book is not merely a chronology. It is an intimate portrait of a young artist in motion — absorbing, reacting, reinventing. The texts by editors such as Raphaela Platow and contributions from critics and curators provide context without overshadowing the urgency of the images themselves. As a result, readers feel immersed in the city that shaped him and the provocative ideas that drove him — ideas about accessibility, politics, and art as a tool for connection.
Today, Keith Haring: 1978-1982 is out of print and often hard to find, which has only heightened its allure among art book collectors. Those who hunt down this catalogue do so not for a comprehensive career overview, but for something rarer — a condensed and candid glimpse of Haring at his most raw, driven, and inventive. The book stands as a testament to a brief but brilliant moment in art history, when a young man’s passion for line and life collided with the electric pulse of New York City.

