Icon - Feast day icon - Wood






Holds broad knowledge of religious icons with six years of collecting experience.
| €50 | ||
|---|---|---|
| €6 | ||
| €5 | ||
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Description from the seller
Resurrection of Christ – the “Descent into Hell” (Anástasis).
In the center appears Christ within a mandorla (ovular halo) descending into Hades.
Typical features seen in your icon:
- Christ wearing a light tunic and surrounded by glory.
- Under His feet are the gates of Hades broken, depicted as cross-planked boards.
- Christ takes Adam and Eve by the hand, drawing them out of the realm of the dead.
- Around Him appear prophets and righteous ones from the Old Testament (David, Solomon, John the Baptist, etc.).
This is the classic way the Orthodox Church portrays the Resurrection, not with Christ emerging from the tomb, but freeing humanity from Hades.
Scenes around the border
The edge contains small scenes from the life of Christ (in the hagiographic or festive iconographic style). By arrangement, you can distinguish scenes such as:
- Nativity of Christ
- Baptism in the Jordan
- Entry into Jerusalem
- Crucifixion
- Burial of Christ
- Apparitions after the Resurrection
The inscriptions are in ecclesiastical Slavonic (Old Cyrillic), typical of Russian icons.
School and probable period
By style:
- Aged gold background
- Slender faces
- Composition in registers with red borders
- Cyrillic writing
Probably a Russian icon.
Estimated region:
Russia
late 18th – 19th centuries
Technique
As with most traditional icons:
- Wooden panel
- Levkas (plaster and glue)
- Egg tempera
- Gilding
This type of icon is sometimes called:
“Resurrection with the Twelve Feasts”
(or Resurrection with scenes from the life of Christ).
It was very common in Russia for domestic devotion.
Resurrection of Christ – the “Descent into Hell” (Anástasis).
In the center appears Christ within a mandorla (ovular halo) descending into Hades.
Typical features seen in your icon:
- Christ wearing a light tunic and surrounded by glory.
- Under His feet are the gates of Hades broken, depicted as cross-planked boards.
- Christ takes Adam and Eve by the hand, drawing them out of the realm of the dead.
- Around Him appear prophets and righteous ones from the Old Testament (David, Solomon, John the Baptist, etc.).
This is the classic way the Orthodox Church portrays the Resurrection, not with Christ emerging from the tomb, but freeing humanity from Hades.
Scenes around the border
The edge contains small scenes from the life of Christ (in the hagiographic or festive iconographic style). By arrangement, you can distinguish scenes such as:
- Nativity of Christ
- Baptism in the Jordan
- Entry into Jerusalem
- Crucifixion
- Burial of Christ
- Apparitions after the Resurrection
The inscriptions are in ecclesiastical Slavonic (Old Cyrillic), typical of Russian icons.
School and probable period
By style:
- Aged gold background
- Slender faces
- Composition in registers with red borders
- Cyrillic writing
Probably a Russian icon.
Estimated region:
Russia
late 18th – 19th centuries
Technique
As with most traditional icons:
- Wooden panel
- Levkas (plaster and glue)
- Egg tempera
- Gilding
This type of icon is sometimes called:
“Resurrection with the Twelve Feasts”
(or Resurrection with scenes from the life of Christ).
It was very common in Russia for domestic devotion.
