Vase - Glass - Art Deco Molded Glass






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Unsigned Art Deco molded opalescent glass vase, ca. 1925–1935, made in Czechia with a bulbous body and a blue patina rubbed into the recessed pattern, weighing 1.408 kg and measuring 22 cm wide, 22 cm deep and 18 cm high.
Description from the seller
This is an unsigned Art Deco molded opalescent/frosted glass vase, c. 1925–1935, produced in Continental Europe (most likely Czechoslovakia/Bohemia or a French commercial workshop in the style of Verlys, Pierre d’Avesn, Etling/Sabino, or direct Lalique imitators).
• Bulbous body with short tapered neck and flat rim;
• All-over high-relief pattern of vertical overlapping stylized leaves/fronds (fern/palm-like);
• Thick heavy construction (1,408 g/28 cm is typical for these substantial pieces);
• Frosted white opalescent glass with blue patina/staining rubbed into the recesses for dramatic contrast.
These were popular, affordable alternatives to Lalique during the Art Deco boom. Czechoslovakian factories (e.g., Inwald, Barolac, or anonymous mold-makers) mass-produced near-identical designs using the same pressed-molding technique and blue staining. French versions (Verlys, d’Avesn, etc.) exist but are usually signed in relief; many generic examples remain unmarked.
The pattern strongly echoes Lalique’s “Milan” or fern motifs but with softer edges and less crisp definition.
Possible attribution to Josef Inwald/Barolac (Czechoslovakia, 1930s). Barolac was Inwald’s famous frosted/satin glass line: thick pressed-molded opalescent pieces with high-relief stylized foliage patterns, often finished with blue or ice-blue patina rubbed into the recesses — exactly the technique, colour, weight (heavy 1.4 kg construction), and period of this vase.
Many Barolac vases are unsigned (or only faintly marked “Czechoslovakia” or a model number in the base) and commercial/export examples frequently have no visible mark at all — which matches the base perfectly.
Closest patterns from Inwald/Barolac:
• Birch Leaves (and similar foliage/leaf-garland series): vertical overlapping stylized leaves/fronds with catkins or swirling detail — the closest documented match to this all-over vertical fern-like motif.
• Leaf garlands, palm fronds, and other foliage reliefs: high-relief, bulbous forms, blue-green or ice-blue washes.
• They also produced Lalique-inspired designs (this vase’s pattern is similar to René Lalique’s “Milan” fern vase from 1929 — Inwald and other Czech factories made affordable pressed-glass versions of these popular motifs).
This is a lovely, authentic 1930s piece with real period character — whether exactly Inwald/Barolac or a close Bohemian contemporary, it’s a strong example of the style that made Czech glass famous worldwide.
Condition is excellent: no chips, cracks, or repairs visible; even patina and good colour depth. Please examine the photos carefully.
This is an unsigned Art Deco molded opalescent/frosted glass vase, c. 1925–1935, produced in Continental Europe (most likely Czechoslovakia/Bohemia or a French commercial workshop in the style of Verlys, Pierre d’Avesn, Etling/Sabino, or direct Lalique imitators).
• Bulbous body with short tapered neck and flat rim;
• All-over high-relief pattern of vertical overlapping stylized leaves/fronds (fern/palm-like);
• Thick heavy construction (1,408 g/28 cm is typical for these substantial pieces);
• Frosted white opalescent glass with blue patina/staining rubbed into the recesses for dramatic contrast.
These were popular, affordable alternatives to Lalique during the Art Deco boom. Czechoslovakian factories (e.g., Inwald, Barolac, or anonymous mold-makers) mass-produced near-identical designs using the same pressed-molding technique and blue staining. French versions (Verlys, d’Avesn, etc.) exist but are usually signed in relief; many generic examples remain unmarked.
The pattern strongly echoes Lalique’s “Milan” or fern motifs but with softer edges and less crisp definition.
Possible attribution to Josef Inwald/Barolac (Czechoslovakia, 1930s). Barolac was Inwald’s famous frosted/satin glass line: thick pressed-molded opalescent pieces with high-relief stylized foliage patterns, often finished with blue or ice-blue patina rubbed into the recesses — exactly the technique, colour, weight (heavy 1.4 kg construction), and period of this vase.
Many Barolac vases are unsigned (or only faintly marked “Czechoslovakia” or a model number in the base) and commercial/export examples frequently have no visible mark at all — which matches the base perfectly.
Closest patterns from Inwald/Barolac:
• Birch Leaves (and similar foliage/leaf-garland series): vertical overlapping stylized leaves/fronds with catkins or swirling detail — the closest documented match to this all-over vertical fern-like motif.
• Leaf garlands, palm fronds, and other foliage reliefs: high-relief, bulbous forms, blue-green or ice-blue washes.
• They also produced Lalique-inspired designs (this vase’s pattern is similar to René Lalique’s “Milan” fern vase from 1929 — Inwald and other Czech factories made affordable pressed-glass versions of these popular motifs).
This is a lovely, authentic 1930s piece with real period character — whether exactly Inwald/Barolac or a close Bohemian contemporary, it’s a strong example of the style that made Czech glass famous worldwide.
Condition is excellent: no chips, cracks, or repairs visible; even patina and good colour depth. Please examine the photos carefully.
