Yuni R. P - Reflejos de Malva

Painting by the artist Yuni R. P in oil on canvas, entirely worked with a spatula. Dimensions of the work: 53 x 73 cm, corresponding to the painting, with a perimeter white margin for better mounting or framing.

Once sold, the works are shipped within a maximum of three days to anywhere in the world. Each piece is carefully packaged, protected with paper and bubble wrap, and sent in a rigid high-strength cardboard tube, ensuring its perfect conservation during transport.

Yuni R. P is a young artist with solid professional training who currently lives and works in Havana, Cuba. His work stands out for a very personal pictorial language, developed almost exclusively through the use of the spatula, the tool with which he builds compositions of great visual strength and marked expressiveness.

His painting is characterized by a rich impasto, loose brushwork and an intensely colorful palette, where light and movement constantly dialogue. In his impressionistic treatment, there is a clear influence from Joaquín Sorolla, especially in the way he approaches luminosity, dynamism, and the vibration of color, always from a contemporary and deeply personal perspective.

The themes he addresses arise from an emotional connection with nature and the landscape: marine scenes, sailboats, fauna, flowers, and evocative cities form a pictorial universe filled with nostalgia and admiration for classical art. His works do not seek literal description, but the evocation of sensations, awakening in the viewer intense feelings and latent memories.

Yuni's paintings possess a frontal and enveloping presence; they are works that must be viewed in person, as photography does not fully capture the richness of the impasto, the depth of color, or the energy of the pictorial gesture. The spatula allows him to build vibrant surfaces, with layers of paint that convey solidity, movement, and an almost tactile expressiveness.

His work is, in essence, a celebration of color, matter, and emotion: a painting that invites stopping, observing, and feeling.

The work is defined as a lyrical landscape of neo-impressionist inclination, where nature is interpreted through an emotional and vibrant lens. Executed in oil, the technique stands out for the masterful use of impasto applied with a spatula, creating a surface rich in textures that captures the incidence of sunlight on the water in a almost physical way. The contrast between the verticality of the irises in the foreground and the horizontality of the horizon creates a balanced yet dynamic composition, intensified by a palette that contrasts cool violets with the incandescent yellows and oranges of the sun. The painter seeks to transmit a sense of transcendence and serenity, capturing that fleeting moment where natural beauty seems suspended in time, inviting the viewer to a spiritual contemplation of the day's cycle.