Anna Atkins - British Algae - 2023

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Anna Atkins' British Algae, a hardback facsimile edition with slipcase published by Taschen in 2023, 660 pages, 30.4 × 24.3 cm, in very good condition.

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Description from the seller

Book in very good condition Only the letters on the spine are slightly damaged.

This photobook is a facsimile of the photobook by Anna Atkins originally published in 1843 and widely considered the first photobook in history.

Anna Atkins (1799-1871) was an English botanist and, some argue, the very first female photographer, most noted for using photography in her books on various plants. Having grown up with her father John George Children — a chemist, mineralogist, and not too successful zoologist — she was surrounded by science and also contributed to her father's work. Her engravings of shells can be found in her father's translated edition of Jean-Baptiste de Monet Lamarck’s Genera of Shells, published in 1823, but it is her work with cyanotypes that she is best known for. Through her father and her husband, Atkins came to know both William Henry Fox Talbot, a pioneer of early photography who invented a process of creating photographs on paper treated with salt and a solution of silver nitrate, and Sir John Herschel, the inventor of the cyanotype printing method. She became interested in the cyanotype process which produced images through so-called sun-printing. The object is placed on paper which has been treated with ferric ammonium citrate and potassium ferricyanide, after which it is exposed to sunlight and then washed in water, leading to the uncovered areas of the paper turning a dark blue. The process, known as blueprinting, was later used to reproduce architectural and engineering drawings, but Atkins chose to use it for what is considered to be the first work with photographic illustrations, namely her Photographs of British Algae: Cyanotype Impressions (1843). Only 13 copies of the handwritten book are known to exist, some of which are in various stages of completion. Later, she would collaborate with another female botanist, Anne Dixon (1799–1864), in making two more books featuring cyanotypes: Cyanotypes of British and Foreign Ferns (1853) and Cyanotypes of British and Foreign Flowering Plants and Ferns (1854). Atkins became a member of the Botanical Society in London in 1839, one of the few scientific societies which was open to women.
A female pioneer of early photography
A complete overview of Anna Atkin's photographic oeuvre
At the dawn of the Victorian era in her open-air laboratory in Halstead, Kent, Anna Atkins embarked on a radical experiment to document botanical species using a completely new artistic medium. The inimitable cyanotype photograms of algae and ferns she created were made into the first books to feature photographic images. Striking yet ethereal, these albums are a perfect synthesis of art and science.

Although the cyanotype technique was discovered by her friend John Herschel, Atkins was the first to realize both its practical purpose for her own interests in botany and taxonomy, and its intriguing artistic potential. The process, which involved fixing the object on sensitized paper and exposing it directly to sunlight, results in the Prussian blue pigment that forms the unmistakeable backdrop to these artworks.

Atkins’ albums British Algae (1843–1853) and Cyanotypes of British and Foreign Ferns (1853), the latter of which was produced with her friend Anne Dixon, are works of remarkable rarity. Reprinted here in their entirety for the first time, they reveal her mastery of multiple disciplines: While the cyanotype process allowed Atkins to meet the challenges of accurate representation, the delicate contours of the specimens, set above the intense blue background, has lent the images a timeless aesthetic appeal.

This edition, drawing extensively from the copies of the New York Public Library and J. Paul Getty Museum, has carefully compiled cyanotypes from several sources to reprint Atkins’ seminal works in full. Over 550 cyanotype impressions are accompanied by a series of introductory essays from Peter Walther, placing Atkins’ work in its scientific and art-historical contexts and paying rightful tribute to the groundbreaking contributions of a female pioneer.

Seller's Story

Dartbooks is a specialized photography bookshop based in Barcelona, dedicated to photobooks, rare and out-of-print editions, and historically significant publications. With a strong focus on Japanese photography, Dartbooks was founded to provide continuity to a field that requires depth, expertise, and careful curation. The bookshop was established after the closure of Kowasa, a landmark reference for photography books in Spain. Its disappearance left a clear gap for photographers, collectors, and institutions in need of a space with a serious and knowledgeable approach to the photobook. Dartbooks emerged in response to that need, not as a replacement, but as part of the natural evolution of a cultural ecosystem. Dartbooks operates with a curatorial mindset, shaped by long-term engagement with photography and book collecting. The project functions as a book hunting platform for collectors, professionals, and libraries worldwide, and also provides advisory support to other bookshops seeking to develop coherent and specialized photography collections. The catalogue includes new publications, rare and out-of-print titles, monographs, retrospectives, self-published works, signed copies, and editions produced directly by photographers through their own imprints. The selection reflects a sustained commitment to photography as a form of visual narration, where images construct meaning beyond text. Although rooted in the Gràcia neighbourhood of Barcelona, Dartbooks serves an international audience. Its community includes collectors, professionals, and institutions from France, the United Kingdom, Japan, and beyond, both through the physical space and the online platform. Dartbooks understands the photobook not merely as an object of consumption, but as a cultural artifact that documents artistic practices, historical contexts, and personal visions. The bookshop functions simultaneously as a place of discovery, an archive in constant growth, and a point of connection between photographers, publishers, and readers.

Book in very good condition Only the letters on the spine are slightly damaged.

This photobook is a facsimile of the photobook by Anna Atkins originally published in 1843 and widely considered the first photobook in history.

Anna Atkins (1799-1871) was an English botanist and, some argue, the very first female photographer, most noted for using photography in her books on various plants. Having grown up with her father John George Children — a chemist, mineralogist, and not too successful zoologist — she was surrounded by science and also contributed to her father's work. Her engravings of shells can be found in her father's translated edition of Jean-Baptiste de Monet Lamarck’s Genera of Shells, published in 1823, but it is her work with cyanotypes that she is best known for. Through her father and her husband, Atkins came to know both William Henry Fox Talbot, a pioneer of early photography who invented a process of creating photographs on paper treated with salt and a solution of silver nitrate, and Sir John Herschel, the inventor of the cyanotype printing method. She became interested in the cyanotype process which produced images through so-called sun-printing. The object is placed on paper which has been treated with ferric ammonium citrate and potassium ferricyanide, after which it is exposed to sunlight and then washed in water, leading to the uncovered areas of the paper turning a dark blue. The process, known as blueprinting, was later used to reproduce architectural and engineering drawings, but Atkins chose to use it for what is considered to be the first work with photographic illustrations, namely her Photographs of British Algae: Cyanotype Impressions (1843). Only 13 copies of the handwritten book are known to exist, some of which are in various stages of completion. Later, she would collaborate with another female botanist, Anne Dixon (1799–1864), in making two more books featuring cyanotypes: Cyanotypes of British and Foreign Ferns (1853) and Cyanotypes of British and Foreign Flowering Plants and Ferns (1854). Atkins became a member of the Botanical Society in London in 1839, one of the few scientific societies which was open to women.
A female pioneer of early photography
A complete overview of Anna Atkin's photographic oeuvre
At the dawn of the Victorian era in her open-air laboratory in Halstead, Kent, Anna Atkins embarked on a radical experiment to document botanical species using a completely new artistic medium. The inimitable cyanotype photograms of algae and ferns she created were made into the first books to feature photographic images. Striking yet ethereal, these albums are a perfect synthesis of art and science.

Although the cyanotype technique was discovered by her friend John Herschel, Atkins was the first to realize both its practical purpose for her own interests in botany and taxonomy, and its intriguing artistic potential. The process, which involved fixing the object on sensitized paper and exposing it directly to sunlight, results in the Prussian blue pigment that forms the unmistakeable backdrop to these artworks.

Atkins’ albums British Algae (1843–1853) and Cyanotypes of British and Foreign Ferns (1853), the latter of which was produced with her friend Anne Dixon, are works of remarkable rarity. Reprinted here in their entirety for the first time, they reveal her mastery of multiple disciplines: While the cyanotype process allowed Atkins to meet the challenges of accurate representation, the delicate contours of the specimens, set above the intense blue background, has lent the images a timeless aesthetic appeal.

This edition, drawing extensively from the copies of the New York Public Library and J. Paul Getty Museum, has carefully compiled cyanotypes from several sources to reprint Atkins’ seminal works in full. Over 550 cyanotype impressions are accompanied by a series of introductory essays from Peter Walther, placing Atkins’ work in its scientific and art-historical contexts and paying rightful tribute to the groundbreaking contributions of a female pioneer.

Seller's Story

Dartbooks is a specialized photography bookshop based in Barcelona, dedicated to photobooks, rare and out-of-print editions, and historically significant publications. With a strong focus on Japanese photography, Dartbooks was founded to provide continuity to a field that requires depth, expertise, and careful curation. The bookshop was established after the closure of Kowasa, a landmark reference for photography books in Spain. Its disappearance left a clear gap for photographers, collectors, and institutions in need of a space with a serious and knowledgeable approach to the photobook. Dartbooks emerged in response to that need, not as a replacement, but as part of the natural evolution of a cultural ecosystem. Dartbooks operates with a curatorial mindset, shaped by long-term engagement with photography and book collecting. The project functions as a book hunting platform for collectors, professionals, and libraries worldwide, and also provides advisory support to other bookshops seeking to develop coherent and specialized photography collections. The catalogue includes new publications, rare and out-of-print titles, monographs, retrospectives, self-published works, signed copies, and editions produced directly by photographers through their own imprints. The selection reflects a sustained commitment to photography as a form of visual narration, where images construct meaning beyond text. Although rooted in the Gràcia neighbourhood of Barcelona, Dartbooks serves an international audience. Its community includes collectors, professionals, and institutions from France, the United Kingdom, Japan, and beyond, both through the physical space and the online platform. Dartbooks understands the photobook not merely as an object of consumption, but as a cultural artifact that documents artistic practices, historical contexts, and personal visions. The bookshop functions simultaneously as a place of discovery, an archive in constant growth, and a point of connection between photographers, publishers, and readers.

Details

Number of books
1
Subject
Botany, Photography
Book title
British Algae
Author/ Illustrator
Anna Atkins
Condition
Very good
Publication year oldest item
2023
Height
30.4 cm
Edition
Other edition
Width
24.3 cm
Language
English, French, German
Original language
Yes
Publisher
Taschen
Binding/ Material
Hardback
Extras
Slipcase
Number of pages
660
Sold by
SpainVerified
632
Objects sold
100%
protop

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