Henri Matisse (1869-1954) - Le Lanceur de Couteaux, 1947 - Artprint - 60 x 80 cm






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Henri Matisse, Moderne Kunst, Offsetdruck auf festem Papier, Le Lanceur de Couteaux, 1947, produced in Deutschland by Kunstverlag.
Description from the seller
A beautiful, expressive art print by Henri Matisse in the format 80 x 60 cm titled The Lanceur de Couteaux (1947). The work is a high-quality print on sturdy paper and is in very good condition.
Printed and published by Kunstverlag circa 1990-2010.
directly obtained from the art publisher
Since then, stored professionally and protected from light in graphic storage.
Artist: Henri Matisse
Title: Le Lanceur de Couteaux, 1947
Art: Fine art print
Technique: Offset printing on sturdy paper
Originality: Reproduction
Sheet dimensions: 80 x 60 cm
Condition: New
Origin: Art Publishing
Era: Modern Art
Nationality: French Art
Henri Matisse:
Henri Matisse, born on December 31, 1869, in Le Cateau-Cambrésis, France, and died on November 3, 1954, in Nice, France, was one of the most significant artists of the 20th century and a leading representative of Fauvism. With his bold use of color and form, Matisse revolutionized painting and had a lasting impact on modern art. His works, characterized by a vibrant color palette and masterful simplification of form, influenced numerous artists and art movements.
Matisse began his artistic career relatively late after initially studying law. He moved to Paris to study at the Julian Academy and later at the École des Beaux-Arts. In Paris, Matisse came into contact with the works of the Impressionists, particularly Claude Monet and Pierre-Auguste Renoir, whose loose brushwork and interest in the effect of light on color deeply impressed him. Monet's "Water Lilies" series and Renoir's "Le Moulin de la Galette" are examples of the influence of the Impressionists on Matisse.
A pivotal turning point in Matisse's career was his encounter with the work of Paul Cézanne, which inspired him to simplify the forms in his paintings and to structure the composition. Cézanne's geometric treatment of nature, as seen in works like "Mont Sainte-Victoire," inspired Matisse to break down painting into its fundamental elements of form and color. These influences led to a radical simplification of form and more intense use of color, which is clearly expressed in his Fauvist work.
Fauvism, whose name was coined by a critic who called Matisse's works at the Salon d’Automne in 1905 "les fauves" (the Wild Beasts), was a short but influential movement. Artists like André Derain, Maurice de Vlaminck, and Raoul Dufy, who also belonged to Fauvism, shared Matisse's passion for pure, vivid colors and an expressive, simplified form language. Matisse's "Woman with a Hat" (1905) and "The Dance" (1910) are iconic examples of Fauvism and show a bold, emotional use of color characteristic of the movement. Derain's "Charing Cross Bridge" and Vlaminck's "Bateaux à Chatou" reflect the same intense coloration and freedom in painting.
Matisse's influence also extended to the development of Abstract Art. Artists like Wassily Kandinsky and Piet Mondrian saw in Matisse's reduction of color and form a way to distill painting to its essential elements. Kandinsky's "Improvisation" and Mondrian's "Composition with Red, Blue, and Yellow" reflect this development. Both artists recognized in Matisse's work the possibility of using color and form as independent means of expression, regardless of the depiction of the real world.
The relationship between Matisse and Pablo Picasso was complex and mutually inspiring. Although their artistic approaches differed—Matisse favored color and decorative forms, while Picasso concentrated on form and structure—they significantly influenced each other. Picasso's Cubist works such as "Les Demoiselles d'Avignon" engage in dialogue with Matisse's Fauvist paintings, and both artists shared a common interest in breaking traditional conventions of art. This rivalry and friendship between Matisse and Picasso propelled the development of modern art and set new standards in artistic innovation.
Matisse was also a pioneer in the use of paper cutouts, a technique he developed in the late years of his life when his mobility was limited. These works, such as "Icarus" (1947) and the "Jazz" series (1947), exemplify his masterful ability to create strong visual and emotional effects with simple shapes and bold colors. These paper cutouts influenced later artists like Ellsworth Kelly and Henri Michaux, who also experimented with the reduction of form and color. Kelly's large areas of color and Michaux's gestural abstractions demonstrate how Matisse's paper cutouts inspired a new direction in modern art.
The influence of Matisse's work is also evident in the American art scene of the 20th century, particularly among Abstract Expressionist artists such as Mark Rothko and Barnett Newman. Rothko's large-scale color compositions and Newman's "Zips" display a deep connection to Matisse's intense, flat use of color. Both artists sought, much like Matisse, a pure, universal form of expression that goes beyond traditional representation.
Matisse's influence remains vibrant in modern art. Artists like David Hockney and Jeff Koons have incorporated Matisse's spirit of experimentation and his engagement with color and form into their own works. Hockney's colorful landscapes and portraits, as well as Koons' sculptural pieces, which often have a strong use of color, demonstrate how Matisse's approaches continue to live on in contemporary art. Hockney's "A Bigger Splash" and Koons' "Balloon Dog" are examples of the continuation of Matisse's experiments with color and form in modern art.
In summary, Henri Matisse remains a central figure in art history, whose influence extends across numerous movements and generations of artists. His innovative use of color and form, his commitment to reducing art to its essentials, and his ability to achieve profound emotional effects with simple means have profoundly shaped modern art. From the Fauves to the abstract artists and contemporary creators, Matisse has significantly influenced the art of the 20th century and beyond, and remains a vibrant legacy in the art world.
Shipping information:
We roll prints onto solid hard cardboard cores, wrap them with corrugated cardboard, and ship them in sturdy cartons. The shipment is accompanied by a tracking number for parcel tracking.
About us
We have been active in the art dealing industry for over 20 years and possess extensive experience in the professional handling and shipping of artworks.
- No shipping to Canary Islands, Taiwan -
Seller's Story
A beautiful, expressive art print by Henri Matisse in the format 80 x 60 cm titled The Lanceur de Couteaux (1947). The work is a high-quality print on sturdy paper and is in very good condition.
Printed and published by Kunstverlag circa 1990-2010.
directly obtained from the art publisher
Since then, stored professionally and protected from light in graphic storage.
Artist: Henri Matisse
Title: Le Lanceur de Couteaux, 1947
Art: Fine art print
Technique: Offset printing on sturdy paper
Originality: Reproduction
Sheet dimensions: 80 x 60 cm
Condition: New
Origin: Art Publishing
Era: Modern Art
Nationality: French Art
Henri Matisse:
Henri Matisse, born on December 31, 1869, in Le Cateau-Cambrésis, France, and died on November 3, 1954, in Nice, France, was one of the most significant artists of the 20th century and a leading representative of Fauvism. With his bold use of color and form, Matisse revolutionized painting and had a lasting impact on modern art. His works, characterized by a vibrant color palette and masterful simplification of form, influenced numerous artists and art movements.
Matisse began his artistic career relatively late after initially studying law. He moved to Paris to study at the Julian Academy and later at the École des Beaux-Arts. In Paris, Matisse came into contact with the works of the Impressionists, particularly Claude Monet and Pierre-Auguste Renoir, whose loose brushwork and interest in the effect of light on color deeply impressed him. Monet's "Water Lilies" series and Renoir's "Le Moulin de la Galette" are examples of the influence of the Impressionists on Matisse.
A pivotal turning point in Matisse's career was his encounter with the work of Paul Cézanne, which inspired him to simplify the forms in his paintings and to structure the composition. Cézanne's geometric treatment of nature, as seen in works like "Mont Sainte-Victoire," inspired Matisse to break down painting into its fundamental elements of form and color. These influences led to a radical simplification of form and more intense use of color, which is clearly expressed in his Fauvist work.
Fauvism, whose name was coined by a critic who called Matisse's works at the Salon d’Automne in 1905 "les fauves" (the Wild Beasts), was a short but influential movement. Artists like André Derain, Maurice de Vlaminck, and Raoul Dufy, who also belonged to Fauvism, shared Matisse's passion for pure, vivid colors and an expressive, simplified form language. Matisse's "Woman with a Hat" (1905) and "The Dance" (1910) are iconic examples of Fauvism and show a bold, emotional use of color characteristic of the movement. Derain's "Charing Cross Bridge" and Vlaminck's "Bateaux à Chatou" reflect the same intense coloration and freedom in painting.
Matisse's influence also extended to the development of Abstract Art. Artists like Wassily Kandinsky and Piet Mondrian saw in Matisse's reduction of color and form a way to distill painting to its essential elements. Kandinsky's "Improvisation" and Mondrian's "Composition with Red, Blue, and Yellow" reflect this development. Both artists recognized in Matisse's work the possibility of using color and form as independent means of expression, regardless of the depiction of the real world.
The relationship between Matisse and Pablo Picasso was complex and mutually inspiring. Although their artistic approaches differed—Matisse favored color and decorative forms, while Picasso concentrated on form and structure—they significantly influenced each other. Picasso's Cubist works such as "Les Demoiselles d'Avignon" engage in dialogue with Matisse's Fauvist paintings, and both artists shared a common interest in breaking traditional conventions of art. This rivalry and friendship between Matisse and Picasso propelled the development of modern art and set new standards in artistic innovation.
Matisse was also a pioneer in the use of paper cutouts, a technique he developed in the late years of his life when his mobility was limited. These works, such as "Icarus" (1947) and the "Jazz" series (1947), exemplify his masterful ability to create strong visual and emotional effects with simple shapes and bold colors. These paper cutouts influenced later artists like Ellsworth Kelly and Henri Michaux, who also experimented with the reduction of form and color. Kelly's large areas of color and Michaux's gestural abstractions demonstrate how Matisse's paper cutouts inspired a new direction in modern art.
The influence of Matisse's work is also evident in the American art scene of the 20th century, particularly among Abstract Expressionist artists such as Mark Rothko and Barnett Newman. Rothko's large-scale color compositions and Newman's "Zips" display a deep connection to Matisse's intense, flat use of color. Both artists sought, much like Matisse, a pure, universal form of expression that goes beyond traditional representation.
Matisse's influence remains vibrant in modern art. Artists like David Hockney and Jeff Koons have incorporated Matisse's spirit of experimentation and his engagement with color and form into their own works. Hockney's colorful landscapes and portraits, as well as Koons' sculptural pieces, which often have a strong use of color, demonstrate how Matisse's approaches continue to live on in contemporary art. Hockney's "A Bigger Splash" and Koons' "Balloon Dog" are examples of the continuation of Matisse's experiments with color and form in modern art.
In summary, Henri Matisse remains a central figure in art history, whose influence extends across numerous movements and generations of artists. His innovative use of color and form, his commitment to reducing art to its essentials, and his ability to achieve profound emotional effects with simple means have profoundly shaped modern art. From the Fauves to the abstract artists and contemporary creators, Matisse has significantly influenced the art of the 20th century and beyond, and remains a vibrant legacy in the art world.
Shipping information:
We roll prints onto solid hard cardboard cores, wrap them with corrugated cardboard, and ship them in sturdy cartons. The shipment is accompanied by a tracking number for parcel tracking.
About us
We have been active in the art dealing industry for over 20 years and possess extensive experience in the professional handling and shipping of artworks.
- No shipping to Canary Islands, Taiwan -
