A.R. Penck - Die Zufunkt Des Emigranten 2 - Offset Lithography - Achenbach licensed print ** NO RESERVE **

Offset lithograph after A.R. Penck (*)
Reproduction of the work 'Die Zufunkt Des Emigranten 2' created by A.R.. Penck in 1983, which is part of the collection at the Museen Preussischer Kulturbesitz, National Gallery Berlin.
Luxury edition on thick satin Fine Art paper (250g).
Published by Achenbach Art Edition, Düsseldorf.
Authorized print with copyright and legal serial number.
Large Format

Sheet dimensions: 70.5 x 90 cm
Year: 1991
Condition: Excellent (this artwork has never been framed or exhibited, always kept in a professional art folder, and therefore remains in perfect condition).
Provenance: Private collection.

The item will be carefully handled and packaged in a reinforced cardboard box. The shipment will be certified with a tracking number.

The shipment will also include transport insurance for the final value of the artwork with full reimbursement in case of loss or damage, at no cost to the buyer.

(*) AR Penck was a painter, engraver, and sculptor born in 1939 in Dresden and died in 2017 in Zurich. He attempted to enroll at the Dresden Academy of Fine Arts in 1956 but was rejected, primarily due to his communist beliefs. In 1968, Ralf Winkler adopted the name AR Penck, a pseudonym inspired by geologist Albrecht Penck. He is recognized for the rebellious character of Rembrandt, who, like him, was an outsider. AR Penck risked working according to his Marxist ideals in the GDR. His works were censored, and he was stripped of his nationality. His art recalls that of great modernists: Picasso, Kirchner, Klee, Giacometti, but retains a more savage, raw aspect, approaching graffiti. His universe is filled with colorful characters, symbols, assembled in a wild manner. He developed his language to 'represent beings in action.' He called this pictorial style: Standart. As soon as he left West Germany in 1980, rejection turned into success; he won the Rembrandt Prize in Basel in 1981 and the Aix-la-Chapelle Art Prize in 1985. He was the subject of a major retrospective at the Museum of Modern Art in Paris and at the Maeght Foundation.








































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