Maurits Cornelis Escher (1898-1972) - “Still Life with Reflecting Sphere” (1935) - 2000s





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Maurits Cornelis Escher, Op Art, Netherlands, 'Still Life with Reflecting Sphere' (1935), 55 × 63.5 cm, offset print on 180 g paper, condition A (excellent – mint), 1 item.
Description from the seller
Author: Maurits Cornelis Escher (1898-1972)
Title: “Still Life with Reflecting Sphere” (1935)
Size: 55 x 63,5 cm
Copyright: Published by the M.C.Escher Company-Baarn-The Netherlands
Offset print, made on 180g high-quality paper. Displays a vivid and sharp image quality.
Just the right size to frame. Impressive effect when framed.
Shipping in a rigid tube via certified express mail.
It is possible to collect more than one object, from the same auction, in the same shipment.
“Still Life with Reflecting Sphere” is a lithograph by M.C. Escher that showcases his fascination with reflections and distorted perspectives. The artwork features a reflective sphere placed on a table, capturing the entire surrounding room, including Escher himself, who appears in the reflection.
This piece is an early example of Escher’s exploration of self-portraiture through reflection. He frequently used spherical mirrors to study perspective and distortion. This approach later influenced his famous Hand with Reflecting Sphere (1935), where he further refined the concept of self-representation in a curved reflective surface.
Author: Maurits Cornelis Escher (1898-1972)
Title: “Still Life with Reflecting Sphere” (1935)
Size: 55 x 63,5 cm
Copyright: Published by the M.C.Escher Company-Baarn-The Netherlands
Offset print, made on 180g high-quality paper. Displays a vivid and sharp image quality.
Just the right size to frame. Impressive effect when framed.
Shipping in a rigid tube via certified express mail.
It is possible to collect more than one object, from the same auction, in the same shipment.
“Still Life with Reflecting Sphere” is a lithograph by M.C. Escher that showcases his fascination with reflections and distorted perspectives. The artwork features a reflective sphere placed on a table, capturing the entire surrounding room, including Escher himself, who appears in the reflection.
This piece is an early example of Escher’s exploration of self-portraiture through reflection. He frequently used spherical mirrors to study perspective and distortion. This approach later influenced his famous Hand with Reflecting Sphere (1935), where he further refined the concept of self-representation in a curved reflective surface.

