Edward Hopper (1882-1967) (after) - "Eleven A.M., 1926" - (42x53,5cm)

- Edward Hopper (after), authorized offset lithograph on textured matte paper. (300gsm approx.). 2000s.

Stamp on the verso.

- Condition: excellent. Never framed, never exposed.

- Size: 42 x 53,5cm.

- Edward Hopper was an American realist painter born on July 22, 1882, in Nyack, New York. He is best known for his evocative and introspective depictions of American life. Hopper's art often captures moments of solitude and quiet contemplation, characterized by stark lighting, strong geometric compositions, and a sense of isolation.

Hopper studied at the New York School of Art, where he was influenced by teachers Robert Henri and William Merritt Chase. His early work showed the impact of Impressionism, but he developed a distinctive style marked by his use of light and shadow to convey mood and narrative. Hopper's most famous works include 'Nighthawks' (1942), 'Automat' (1927), and 'House by the Railroad' (1925). Another significant piece, 'Room in New York' (1932), exemplifies his fascination with urban scenes and the underlying emotional currents of everyday life. This painting portrays a couple in a modest New York apartment, each absorbed in their own world, capturing a moment of quiet disconnection.

Hopper's art captures the psychological landscape of 20th-century America, exploring themes of loneliness, alienation, and the passage of time. His meticulous attention to detail and ability to evoke emotion through composition have cemented his place as one of America's foremost artists.

Edward Hopper's works are highly valued in the art market, often fetching substantial sums at auctions. 'Chop Suey' (1929), for example, sold for over $91 million in 2018, highlighting the high regard and demand for his work. Hopper's paintings continue to resonate with contemporary audiences, maintaining his legacy as a significant figure in American art.

'Eleven A.M.' (1926) exemplifies Hopper's exploration of urban solitude and the human condition. The painting depicts a nude woman seated in a blue armchair, gazing out of a large window at the cityscape beyond. Her posture, with arms resting on her knees and hands clasped, conveys a sense of quiet contemplation or longing. The room is sparsely furnished, with a dark red lampshade in the foreground and a simple dresser against the wall, emphasizing the atmosphere of stillness and simplicity.

Hopper's mastery of light is evident in this painting, with sunlight streaming through the window, casting long shadows and illuminating the woman's pale skin. The contrast between light and shadow enhances the sense of depth and space, creating a mood of introspection and detachment. The architectural elements of the window and surrounding buildings frame the woman's figure, reinforcing the theme of isolation within an urban environment.

"Eleven A.M.", suggests a moment of pause or reflection during the day, capturing the tension between the inner world of the individual and the bustling city beyond. Hopper's deliberate use of muted colors and geometric shapes evokes a sense of timelessness, inviting viewers to contemplate the emotional narrative within the scene.

Edward Hopper's work captures the essence of urban life and human solitude through his masterful use of light, shadow, and composition. "Eleven A.M." exemplifies his ability to evoke emotion and introspection with a minimalist approach, making it a standout work in his body of work. With a strong presence in both public museums and private collections, Hopper's works remain highly valued, reflecting their profound impact on modern art and culture.














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