A wooden sculpture - Voodoo - Fon - Togo (No reserve price)

07
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Dimitri André
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Selected by Dimitri André

Holds a postgraduate degree in African studies and 15 years experience in African art.

Estimate  € 330 - € 400
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A wooden sculpture, titled 'A wooden sculpture', from Southern Togo, created by the Fon as a Vodou fetish figure, weighing 2.6 kg and 18 cm high, in fair condition, with padlocks, cowrie shells and blue pigment.

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Description from the seller

A small Fon/Vodoo fetish figure, Southern Togo, covered with various fetish materials, padlocks and cowrie shells: covered with blue pigments. Signs of ritual use and age.

In the Fon religious and sculptural context of the Togo-Benin border region, padlocks are often integrated into figures and objects as functional and symbolic devices rather than mere decorative elements. Their primary purpose is to secure access to objects that are considered spiritually potent or ritually charged, such as fetish boxes, shrine figures, or ritual bundles containing medicine, powders, or consecrated substances. By locking these objects, practitioners assert control over the spiritual forces contained within, limiting access to initiated priests or sanctioned individuals and preventing unauthorized manipulation that could bring harm.

Beyond this practical security, padlocks carry a symbolic weight: they represent restriction and protection, signaling that the power or secrets enclosed are guarded and not to be tampered with lightly. They may also operate as a physical manifestation of oaths, spiritual contracts, or the enforcement of communal norms, where breaking the lock could entail ritual or social consequences. In some cases, the padlocks themselves become ritualized, blessed, or imbued with protective power, thus extending the potency of the figure or object they secure. This dual function—practical containment and symbolic protection—is typical of Fon and broader West African Vodun material culture, where material form and ritual efficacy are inseparable.

Seller's Story

I have been collecting for 25 years and dealing in African art for 20 years. I was inspired by my father's passion for collecting, who left us a collection of "German Colonies". I studied ethnology, art history and comparative law at the Freie Universität Berlin without graduating. After extensive travels through Cameroon, Mali, Ivory Coast, Burkina Faso, Togo and Ghana, I lived in Bamako and Segou for 10 years. In Segou I managed the gallery "Tribalartforum", which had to close in 2012 because of the war in Mali. Then I settled in Lomé Togo, where we have a branch. 16 years ago, Jaenicke-Njoya GmbH was founded, and I have been its managing partner ever since. In 2018 we opened a gallery in Berlin Charlottenburg opposite the Charlottenburg Palace and near the Picasso Museum Berggruen. Our team consists of 6 employees. An archaeologist, an art historian, a photographer, a financial controller, a permanent representative for our branch in Lomé, Togo, and an acting director in Berlin / Togo. You can find us on the web at wolfgang-jaenicke or Galerie Wolfgang Jaenicke, Klausenerplatz 7, 14059 Berlin, Germany.

A small Fon/Vodoo fetish figure, Southern Togo, covered with various fetish materials, padlocks and cowrie shells: covered with blue pigments. Signs of ritual use and age.

In the Fon religious and sculptural context of the Togo-Benin border region, padlocks are often integrated into figures and objects as functional and symbolic devices rather than mere decorative elements. Their primary purpose is to secure access to objects that are considered spiritually potent or ritually charged, such as fetish boxes, shrine figures, or ritual bundles containing medicine, powders, or consecrated substances. By locking these objects, practitioners assert control over the spiritual forces contained within, limiting access to initiated priests or sanctioned individuals and preventing unauthorized manipulation that could bring harm.

Beyond this practical security, padlocks carry a symbolic weight: they represent restriction and protection, signaling that the power or secrets enclosed are guarded and not to be tampered with lightly. They may also operate as a physical manifestation of oaths, spiritual contracts, or the enforcement of communal norms, where breaking the lock could entail ritual or social consequences. In some cases, the padlocks themselves become ritualized, blessed, or imbued with protective power, thus extending the potency of the figure or object they secure. This dual function—practical containment and symbolic protection—is typical of Fon and broader West African Vodun material culture, where material form and ritual efficacy are inseparable.

Seller's Story

I have been collecting for 25 years and dealing in African art for 20 years. I was inspired by my father's passion for collecting, who left us a collection of "German Colonies". I studied ethnology, art history and comparative law at the Freie Universität Berlin without graduating. After extensive travels through Cameroon, Mali, Ivory Coast, Burkina Faso, Togo and Ghana, I lived in Bamako and Segou for 10 years. In Segou I managed the gallery "Tribalartforum", which had to close in 2012 because of the war in Mali. Then I settled in Lomé Togo, where we have a branch. 16 years ago, Jaenicke-Njoya GmbH was founded, and I have been its managing partner ever since. In 2018 we opened a gallery in Berlin Charlottenburg opposite the Charlottenburg Palace and near the Picasso Museum Berggruen. Our team consists of 6 employees. An archaeologist, an art historian, a photographer, a financial controller, a permanent representative for our branch in Lomé, Togo, and an acting director in Berlin / Togo. You can find us on the web at wolfgang-jaenicke or Galerie Wolfgang Jaenicke, Klausenerplatz 7, 14059 Berlin, Germany.

Details

Indigenous object name
Voodoo
Ethnic group/ culture
Fon
Country of Origin
Togo
Material
Wood
Sold with stand
No
Condition
Fair condition
Title of artwork
A wooden sculpture
Height
18 cm
Weight
2.6 kg
GermanyVerified
5669
Objects sold
99.44%
protop

Rechtliche Informationen des Verkäufers

Unternehmen:
Jaenicke Njoya GmbH
Repräsentant:
Wolfgang Jaenicke
Adresse:
Jaenicke Njoya GmbH
Klausenerplatz 7
14059 Berlin
GERMANY
Telefonnummer:
+493033951033
Email:
w.jaenicke@jaenicke-njoya.com
USt-IdNr.:
DE241193499

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