A wooden sculpture - Venavi - Ewe - Togo (No reserve price)

For over twenty-five years, Wolfgang Jaenicke has been active as a collector and, for the past two decades, as a specialist dealer in African art, with a particular focus on material often subsumed under the term “Tribal Art”. His early engagement with cultural history was shaped by his father’s extensive archive on the former “German Colonies”, a collection of documents, publications and artefacts that introduced him to the evidentiary and historical significance of objects at a young age. Jaenicke pursued studies in ethnology, art history and comparative law at the Freie Universität Berlin. Motivated by an interest in cultural dynamics beyond the limitations of academic formalism, he left the university to undertake extended research and travel in West and Central Africa. His fieldwork and professional activities took him through Cameroon, Mali, Côte d’Ivoire, Burkina Faso, Togo and Ghana, establishing long-term relationships with artists, collectors, researchers and local institutions. From 2002 to 2012 he lived primarily in Mali, based in Bamako and Ségou. During this period he directed Tribalartforum, a gallery housed in a historic colonial building overlooking the Ségou harbour. The gallery became a notable site for contemporary and historical cultural production, hosting exhibitions of Bamana sculpture and ceramics, as well as photographic works including those of Malick Sidibé, whose images of the 1970s youth culture in Mali remain internationally influential. The outbreak of the war in Mali in 2012 necessitated the closure of the gallery. Following his departure from Mali, Jaenicke established his base of operations in Lomé, Togo, where he and his partners maintain a permanent branch. The Jaenicke-Njoya GmbH, founded sixteen years earlier, serves as the organisational and legal framework for these activities. In 2018, the Galerie Wolfgang Jaenicke opened its Berlin location opposite Charlottenburg Palace, operating today with a team of approximately twelve specialists. A significant focus of the gallery’s curatorial and research work lies in West African bronzes and terracotta. As part of ongoing efforts toward transparency and precise cultural documentation, Jaenicke collaborated with the Technische Universität Berlin’s “Translocation Project”, contributing insight into the circulation of archaeological and ethnographic objects within the international art trade in Lomé. The gallery maintains continuous dialogue with national museums across West Africa and regularly publishes updates on its activities in Lomé and Berlin via its website: wolfgang-jaenicke Jaenicke’s practice combines long-term field engagement with a commitment to provenance research, museum-level documentation, and the ethical stewardship of cultural heritage. His work continues to bridge local knowledge networks and international scholarly discourse.