Jean Michel Basquiat (1960-1988) - Untitled (crown) (1982)





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Jean-Michel Basquiat, Untitled (crown) (1982), an offset print on 230 g paper, 28 × 36 cm, produced in the United Kingdom under license from the Estate of Jean-Michel Basquiat, in mint condition.
Description from the seller
Author: Jean Michel Basquiat (1960-1988)
Title: Untitled (crown) (1982)
Size: 28 x 36 cm
Offset print made on 230g, high-quality paper. Displays a vivid and sharp image quality.
Copyright: Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Printed in Uk.
New to frame
Shipping flat in a rigid envelope via certified express mail.
It is possible to collect more than one object, from the same auction, in the same shipment.
Created in 1982, this work features one of Jean-Michel Basquiat’s most iconic motifs: the three-point crown. Unlike the bold black crowns seen in many of his major paintings, this version is drawn over a collage of handwritten notes, sketches, and fragmented paper sheets, reflecting the raw energy of Basquiat’s creative process during his most productive year. The piece captures the spontaneity and immediacy of his studio practice, where the crown symbol served as a personal emblem of power, identity, and recognition. This 1982 composition clearly shows the artist’s unique blend of gesture, text, and symbolism that defined his early career.
Author: Jean Michel Basquiat (1960-1988)
Title: Untitled (crown) (1982)
Size: 28 x 36 cm
Offset print made on 230g, high-quality paper. Displays a vivid and sharp image quality.
Copyright: Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Printed in Uk.
New to frame
Shipping flat in a rigid envelope via certified express mail.
It is possible to collect more than one object, from the same auction, in the same shipment.
Created in 1982, this work features one of Jean-Michel Basquiat’s most iconic motifs: the three-point crown. Unlike the bold black crowns seen in many of his major paintings, this version is drawn over a collage of handwritten notes, sketches, and fragmented paper sheets, reflecting the raw energy of Basquiat’s creative process during his most productive year. The piece captures the spontaneity and immediacy of his studio practice, where the crown symbol served as a personal emblem of power, identity, and recognition. This 1982 composition clearly shows the artist’s unique blend of gesture, text, and symbolism that defined his early career.

