M.C. Escher (1898-1972) - Waterfall (1961)





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M. C. Escher, artista holandés, Waterfall (1961) es una impresión offset original en el estilo Op Art, 65 × 55 cm, fabricada en los Países Bajos entre 2000 y 2010, no firmada y en excelente estado.
Descripción del vendedor
Autor: Maurits Cornelis Escher (1898-1972)
Title: Waterfall (1961)
Size: 65 x 55cm
Copyright: The M.C. Escher Company - Baarn - The Netherlands.
Offset print, made on 180g matt paper. Displays a vivid and sharp image quality.
Just the right size to frame. Impressive effect when framed.
Shipping in a rigid tube via certified express mail.
It is possible to collect more than one object, from the same auction, in the same shipment.
Waterfall is a famous lithograph by Dutch artist M.C. Escher, created in 1961. The artwork depicts a paradoxical water cycle in which water appears to flow uphill before descending in a perpetual waterfall — a clever visual illusion based on impossible geometry.
Escher was fascinated by mathematics, perspective, and the concept of the impossible object, often inspired by geometric figures from mathematicians like Roger Penrose. An interesting fact is that Escher, who had no formal training in math, corresponded with scientists and mathematicians who admired how his art visualized complex concepts of infinity and paradox.
Autor: Maurits Cornelis Escher (1898-1972)
Title: Waterfall (1961)
Size: 65 x 55cm
Copyright: The M.C. Escher Company - Baarn - The Netherlands.
Offset print, made on 180g matt paper. Displays a vivid and sharp image quality.
Just the right size to frame. Impressive effect when framed.
Shipping in a rigid tube via certified express mail.
It is possible to collect more than one object, from the same auction, in the same shipment.
Waterfall is a famous lithograph by Dutch artist M.C. Escher, created in 1961. The artwork depicts a paradoxical water cycle in which water appears to flow uphill before descending in a perpetual waterfall — a clever visual illusion based on impossible geometry.
Escher was fascinated by mathematics, perspective, and the concept of the impossible object, often inspired by geometric figures from mathematicians like Roger Penrose. An interesting fact is that Escher, who had no formal training in math, corresponded with scientists and mathematicians who admired how his art visualized complex concepts of infinity and paradox.

