VANTA - Retention VIII - NO RESERVE





150 € | ||
|---|---|---|
140 € | ||
130 € | ||
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VANTA original, firmado a mano Retention VIII - NO RESERVE, pintura abstracta en técnica mixta de 140 × 100 cm, realizada en Austria en 2020 o más tarde, enviada sin marco y enrollada en tubo, vendida directamente por el artista.
Descripción del vendedor
Retention — 140×100 cm
Retention is a painting series exploring what the eye holds onto after looking — the soft persistence of color and warmth on the retina, the way a glow can stay with you longer than its source. Where earlier works in First Light, Horizon, and Afterglow trace the arrival, spread, and lingering of luminosity, Retention turns inward, toward the quiet heat that remains: pinks settling into rose, blush dissolving into violet, warmth caught somewhere between the surface and the eye.
The works continue a conversation with James Turrell's investigations of perceptual space, and draw on the chromatic fields of Mark Rothko, the saturated immersions of Yves Klein, and the soft gradients of Wolfgang Tillmans' abstract photograms — artists for whom color, edge, and transition carry the weight that line and form do elsewhere.
Each canvas begins with thin, vibrant acrylic laid in layered fields. A wide brush is drawn across the surface in a single, repeated motion until the pigment thins to near-transparency, allowing the white of the canvas beneath to glow through. In some works the gesture bends or doubles back, pulling the soft halo into a distorted form — a body of warmth that seems to twist gently within its own light. Under certain lighting the paintings stop reading as paint entirely and seem lit from within. A heavy varnish finishes each work with a glossy, reflective skin that deepens the sense of looking into rather than at the surface.
Retention is a series about what stays — the slow, warm afterimage of color held quietly behind the eye, long after the looking is done.
Shipping:
Shipped unframed, rolled in a protective tube. This keeps shipping costs down and avoids damage in transit. The work can be restretched easily by a framer or at home. Measurements listed are those of the finished piece stretched on a standard frame — the actual canvas is slightly larger (4-6cm on each side) to allow for mounting.
Disclaimer:
Process photos included in the listing show studies and works in progress.
Retention — 140×100 cm
Retention is a painting series exploring what the eye holds onto after looking — the soft persistence of color and warmth on the retina, the way a glow can stay with you longer than its source. Where earlier works in First Light, Horizon, and Afterglow trace the arrival, spread, and lingering of luminosity, Retention turns inward, toward the quiet heat that remains: pinks settling into rose, blush dissolving into violet, warmth caught somewhere between the surface and the eye.
The works continue a conversation with James Turrell's investigations of perceptual space, and draw on the chromatic fields of Mark Rothko, the saturated immersions of Yves Klein, and the soft gradients of Wolfgang Tillmans' abstract photograms — artists for whom color, edge, and transition carry the weight that line and form do elsewhere.
Each canvas begins with thin, vibrant acrylic laid in layered fields. A wide brush is drawn across the surface in a single, repeated motion until the pigment thins to near-transparency, allowing the white of the canvas beneath to glow through. In some works the gesture bends or doubles back, pulling the soft halo into a distorted form — a body of warmth that seems to twist gently within its own light. Under certain lighting the paintings stop reading as paint entirely and seem lit from within. A heavy varnish finishes each work with a glossy, reflective skin that deepens the sense of looking into rather than at the surface.
Retention is a series about what stays — the slow, warm afterimage of color held quietly behind the eye, long after the looking is done.
Shipping:
Shipped unframed, rolled in a protective tube. This keeps shipping costs down and avoids damage in transit. The work can be restretched easily by a framer or at home. Measurements listed are those of the finished piece stretched on a standard frame — the actual canvas is slightly larger (4-6cm on each side) to allow for mounting.
Disclaimer:
Process photos included in the listing show studies and works in progress.

