Vittorio Colaizzi - Robert Ryman - 2017





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Edición en inglés encuadernada de la monografía Robert Ryman de Vittorio Colaizzi, publicada por Phaidon en 2017, 344 páginas, 260 ilustraciones, formato 29,5 x 25,7 cm, ISBN 978-0-7148-4934-8.
Descripción del vendedor
Robert Ryman / Vittorio Colaizzi
London/Berlin : Phaidon, 2017
344 Seiten : 260 Illustrationen
Format 29.5 cm x 25.7 cm
ISBN 978-0-7148-4934-8
Wichtige Monographie über den amerikanischen Künstler (1930-2019), praktisch ungelesen/wie neu, der empfindliche Leinenband ohne Schäden oder Verschmutzung.
Zum Inhalt:
The only comprehensive monograph on the artist whose abstract 'white' paintings have inspired generations.
A much-revered figure in the art world, Robert Ryman has, over six decades, continuously and methodically experimented with the different possibilities inherent within a painting - abolishing colour in order to focus on material, brushstroke, support, and scale. This, the only comprehensive monograph covering his career to date, places his famous square 'white' paintings with lesser-known but increasingly exhibited works, in order to show that he is not a reductionist, but in fact a restless experimenter.
Robert Ryman / Vittorio Colaizzi
London/Berlin : Phaidon, 2017
344 Seiten : 260 Illustrationen
Format 29.5 cm x 25.7 cm
ISBN 978-0-7148-4934-8
Wichtige Monographie über den amerikanischen Künstler (1930-2019), praktisch ungelesen/wie neu, der empfindliche Leinenband ohne Schäden oder Verschmutzung.
Zum Inhalt:
The only comprehensive monograph on the artist whose abstract 'white' paintings have inspired generations.
A much-revered figure in the art world, Robert Ryman has, over six decades, continuously and methodically experimented with the different possibilities inherent within a painting - abolishing colour in order to focus on material, brushstroke, support, and scale. This, the only comprehensive monograph covering his career to date, places his famous square 'white' paintings with lesser-known but increasingly exhibited works, in order to show that he is not a reductionist, but in fact a restless experimenter.

