M.C. Escher (1898-1972) (after) - "Day and Night, 1938"





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M. C. Escher (después) Day and Night, 1938 es una impresión offset original sobre papel liso, firmada en la plancha, en excelente estado, 55 × 86 cm, origen Países Bajos y vendida por un propietario o revendedor.
Descripción del vendedor
- M.C. Escher (after), offset print on smooth paper (approx. 170gsm, refers to paper thickness/density).
- Plate signed.
- Copyright The M.C. Escher Company - Baam, The Netherlands.
- Ready to frame. The pic in which the item appears framed is a simulated recreation for illustrative purposes only, the frame and other decorative elements shown in it are not included in the lot you are bidding on.
- Size: 55 x 86 cm.
- Condition: excellent. Never framed, never exposed.
- M. C. Escher’s Day and Night (1938) is one of the artist’s most celebrated explorations of transformation, symmetry and visual paradox. Two mirrored Dutch landscapes unfold beneath opposing skies as rectangular fields gradually metamorphose into flocks of birds: black birds fly toward the luminous daytime landscape on the left, while white birds move toward the nocturnal world on the right. Positive and negative space become interchangeable, so that each flock simultaneously forms the background of the other, creating the extraordinary tessellation that became central to Escher’s visual language. Inspired by mathematics, geometry and his close observation of natural forms, the work transforms an apparently familiar aerial landscape into an impossible yet perfectly ordered universe. Its fusion of landscape, architecture and optical transformation places Escher in a unique territory between graphic art, Surrealism, Op Art and mathematical abstraction, anticipating later investigations by artists such as Vasarely and Bridget Riley.
The almost entirely black, white and grey palette gives Day and Night exceptional decorative versatility and a remarkably contemporary appearance despite its 1938 date. Its panoramic format is particularly effective in Bauhaus, Mid-Century Modern, minimalist, industrial, Scandinavian, Japandi and contemporary interiors, where the intricate monochrome pattern can provide visual complexity without introducing competing colours. It works beautifully against warm white, stone, greige, sage, dusty blue, petrol, burgundy or charcoal walls, with a thin black frame for a graphic architectural presentation, natural oak or walnut for warmth, or restrained antique gold for a more sophisticated contrast. Paired with tubular steel, walnut, glass, leather and geometric textiles, the composition is ideal above a sofa, sideboard, desk or console and makes an original gift for admirers of Escher, mathematics, architecture, optical illusion and graphic design.
Escher’s ability to unite artistic imagination with geometry has given Day and Night an enduring appeal far beyond conventional printmaking, connecting naturally with Vasarely, Magritte, Dalí, Miró, Kandinsky, Mondrian, Klee, Picasso and Matisse, as well as later visual innovators such as Warhol, Basquiat, Haring, Hockney, Banksy, Shepard Fairey, Kaws and Karl Lagasse. Its precise, almost architectural visual logic also makes it particularly attractive in collections combining art and design, alongside cultural and luxury icons such as Cartier, Rolex, Patek Philippe, Chanel, Dior, Hermès and Gucci, or contemporary collectibles including Lego, Star Wars and Pokémon. Hypnotic yet rigorously constructed, Day and Night remains one of Escher’s defining images: a masterful demonstration of how landscape, mathematics and illusion can merge into a single endlessly fascinating composition.
El vendedor y su historia
- M.C. Escher (after), offset print on smooth paper (approx. 170gsm, refers to paper thickness/density).
- Plate signed.
- Copyright The M.C. Escher Company - Baam, The Netherlands.
- Ready to frame. The pic in which the item appears framed is a simulated recreation for illustrative purposes only, the frame and other decorative elements shown in it are not included in the lot you are bidding on.
- Size: 55 x 86 cm.
- Condition: excellent. Never framed, never exposed.
- M. C. Escher’s Day and Night (1938) is one of the artist’s most celebrated explorations of transformation, symmetry and visual paradox. Two mirrored Dutch landscapes unfold beneath opposing skies as rectangular fields gradually metamorphose into flocks of birds: black birds fly toward the luminous daytime landscape on the left, while white birds move toward the nocturnal world on the right. Positive and negative space become interchangeable, so that each flock simultaneously forms the background of the other, creating the extraordinary tessellation that became central to Escher’s visual language. Inspired by mathematics, geometry and his close observation of natural forms, the work transforms an apparently familiar aerial landscape into an impossible yet perfectly ordered universe. Its fusion of landscape, architecture and optical transformation places Escher in a unique territory between graphic art, Surrealism, Op Art and mathematical abstraction, anticipating later investigations by artists such as Vasarely and Bridget Riley.
The almost entirely black, white and grey palette gives Day and Night exceptional decorative versatility and a remarkably contemporary appearance despite its 1938 date. Its panoramic format is particularly effective in Bauhaus, Mid-Century Modern, minimalist, industrial, Scandinavian, Japandi and contemporary interiors, where the intricate monochrome pattern can provide visual complexity without introducing competing colours. It works beautifully against warm white, stone, greige, sage, dusty blue, petrol, burgundy or charcoal walls, with a thin black frame for a graphic architectural presentation, natural oak or walnut for warmth, or restrained antique gold for a more sophisticated contrast. Paired with tubular steel, walnut, glass, leather and geometric textiles, the composition is ideal above a sofa, sideboard, desk or console and makes an original gift for admirers of Escher, mathematics, architecture, optical illusion and graphic design.
Escher’s ability to unite artistic imagination with geometry has given Day and Night an enduring appeal far beyond conventional printmaking, connecting naturally with Vasarely, Magritte, Dalí, Miró, Kandinsky, Mondrian, Klee, Picasso and Matisse, as well as later visual innovators such as Warhol, Basquiat, Haring, Hockney, Banksy, Shepard Fairey, Kaws and Karl Lagasse. Its precise, almost architectural visual logic also makes it particularly attractive in collections combining art and design, alongside cultural and luxury icons such as Cartier, Rolex, Patek Philippe, Chanel, Dior, Hermès and Gucci, or contemporary collectibles including Lego, Star Wars and Pokémon. Hypnotic yet rigorously constructed, Day and Night remains one of Escher’s defining images: a masterful demonstration of how landscape, mathematics and illusion can merge into a single endlessly fascinating composition.

