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Tatiana Ruiz

The paintings are sold as a pair, I have mixed painting with print technique, everything is painted, dimensions 125x100cm per painting. The paintings are stretched and painted on artist's canvas. The paintings are signed on the front. Shipped everywhere at actual shipping price.

The artist has been active since 2000, the artist has 2 years at the Pletten Art School located in Stockholm / Sweden. The artist has had several exhibitions in Sweden

Exhibitions:

DAGAB Haninge - 2001
Huddinge Konsthall - 2002
Paletten årlig utställning 2003
Galleri Bellman - 2003
Galleri GSE - 2006




Artist story

The choice of motif
When I choose a subject to paint, I rarely start with a clear purpose. It often starts with something everyday: pictures taken on a walk, a trip, a moment with the dog. I collect them digitally, place them next to each other, let them speak. It is rarely the individual image that carries the value, but the relationship between them – something arises in the space between, in the rhythm, in the breathing of the composition.

It is at that moment that I know if there is something to build on. Not because the subject has to say something, but because it feels like it. For me, the images are personal, but they will probably appear messy or indefinite to someone else. And that doesn't matter. I am not looking for clarity, I am looking for something that holds the gaze, that carries an inner light, a kind of landscape to place thoughts in.

Many of my pictures contain a perspective, a sky, a depth – a kind of room to enter. I build new worlds from old fragments. Often they are pictures I have taken myself, sometimes they are ones I remember, or find in passing. The important thing is not where they come from, but how they feel together. It is not about understanding why, but about feeling when.

In the digital process I search for a new motif, something that carries a kind of meaning through its balance, its friction, its presence. The images that make it through this first selection become the basis for something new, something that could perhaps become a painting.

Painting adds something that digital cannot: time, body, gaze. The material experience. Through color, surface and movement, the image is transformed again – from composition to action. I paint not to copy what I have seen, but to manifest something that is greater than each individual part. A new world, a new space.

I try to limit my visual material, like you limit your color palette. Not to exclude, but to deepen. It's like life: we choose a few places, a few people, a certain path – not because there are no other options, but because we need a context to work within.

That's how I build my images. As fragments of time, as a kind of story. Not straight, not finished, but meaningful enough to stay in. Something in me wants to understand, but something else just wants to remain in the experience itself – the silent, composite, vulnerable.




Acrílico sobre lienzo - Firmado a mano - 2025

Jimmy Ekman - Fiskar

Arte moderno y contemporáneo

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Fecha final 

domingo

jueves

sábado

lunes

mañana

27 enero

hoy 

viernes

28 enero

2 febrero

29 enero

1 febrero

6 febrero

Ubicación

Italia

Francia

España

Alemania

Países Bajos

Polonia

Bélgica

Portugal

Reino Unido

Suiza

Austria

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Rumanía

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Estados Unidos

Turquía

Eslovaquia

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Ucrania

Japón

República Checa

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Israel

Estonia

Dimensiones

Altura

Ancho

Profundidad

Marca

Medicom Toy

Orlinski

Goebel

BE@RBRICK

Mighty Jaxx

Objeto

Pintura

Escultura

Obra de arte

Impresión

Dibujo

Giclée

Obra de arte de técnica mixta

Fotografía

Litografía

Talla

Relieve

Busto

Estatua

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Escultura de exterior

Figura

Figurita de juguete

Arte relacionado con el deporte

Diseño de cartel

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Ilustración de animación

Decoración para pared

Juego de ajedrez

País de origen

Vietnam

Asia

Europa

Hong Kong

América del Norte

Desconocido

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Resina

Madera

Acero

Plástico

Metal

Bronce

Aluminio

Cerámica

Vidrio

Mármol

Bronce patinado

Papel

Hierro

Compuesto

Loza de barro

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Plata

Porcelana

Mayólica

Arcilla

Cobre

Yeso

Ceniza

Bronce dorado

Estado

En excelente estado

En buen estado

Estado aceptable.

EBC (Extraordinariamente bien conservada)

MBC (Muy buena conservación)

Como nuevo - sin usar

Perfecto

Necesita restauración

Excelente estado - apenas usado y con signos mínimos de los años y de desgaste

A (excelente - perfecto estado)

Estado original

Accesorios

con caja original

Período

Posterior a 2020

2010-2020

1990-2000

2000 - 2010

1980-1990

1970-1980

1960-1970

1950-1960

1940-1950

1930-1940

1920-1930

2025

1910-1920

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2023

siglo XIX

Tema

Cultura popular

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Desnudo

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