"Le Morte d'Arthur" by Thomas Malory and illustrated by Aubrey Beardsley - J.M. Dent, London - 1909 second limited edition of 1000 copies - 30cmx20cm - condition: good, in original publisher's binding, with gilt motif designed by Aubrey Beardsley, some wear and rubbing to edges, all Aubrey plates and illustrations present. Containing 10 additional chapter headings not found in the first edition of 1893 - 1894, the book would be considered famed illustrator, author, and leading contributor to the development of the Art Nouveau Aubrey Beardsley's (1872 - 1898) first and much-celebrated major work. Le Morte d'Arthur (originally written as le morte Darthur; Anglo-Norman French for "The Death of Arthur") is a 15th-century Middle English prose compilation and reworking by Sir Thomas Malory of tales about the legendary King Arthur, Guinevere, Lancelot, Merlin and the Knights of the Round Table, along with their respective folklore, including the quest for the Holy Grail and the legend of Tristan and Iseult. In order to tell a "complete" story of Arthur from his conception to his death, Malory put together, rearranged, interpreted and modified material from various French and English sources. Today, this is one of the best-known works of Arthurian literature. Many authors since the 19th-century revival of the Arthurian legend have used Malory as their principal source. Apparently written in prison at the end of the medieval English era, Le Morte d'Arthur was completed by Malory around 1470 and was first published in a printed edition in 1485 by William Caxton. Until the discovery of the Winchester Manuscript in 1934, the 1485 edition was considered the earliest known text of Le Morte d'Arthur and that closest to Malory's original version.[1] Modern editions under myriad titles are variable, changing spelling, grammar and pronouns for the convenience of readers of modern English, as well as often abridging or revising the material.