Mid XX Cuzco Painting Peruvian School “The Last Supper” Technique : oil on canvas Dimensions 31 x 42 cm This painting portrays a richly adorned interpretation of the Last Supper, featuring Jesus Christ seated at the center of a long table surrounded by his twelve apostles. Christ is depicted holding a round host in his hand, emphasizing the moment of the institution of the Eucharist. A radiant golden halo surrounds his head, highlighting his divine presence and spiritual authority. The apostles are arranged closely around him, each with expressive gestures and attentive faces, creating a sense of intimacy and reverence. Their garments are elaborately decorated with intricate gold patterns and raised ornamental details, giving the painting a textured and luxurious appearance. The table is covered with a white cloth and displays symbolic elements such as bread, fruit, and vessels, representing nourishment, sacrifice, and communion. In the foreground, simple pottery and metal containers contrast with the ornate clothing, grounding the scene in humility. The warm, dark background draws focus to the illuminated figures, enhancing the solemn and sacred atmosphere. Overall, the artwork conveys themes of devotion, unity, and the sacred significance of the Last Supper through its detailed craftsmanship, symbolism, and emotional depth. This painting was likely part of a devotional series or a domestic or church altarpiece. These types of images had an important catechetical and emotional function in the colonial world, helping to connect with the religion and promote piety among the faithful.


It is a representation of an archangel, the Archangel Miguel, one of the most common figures in this type of colonial religious art.

 The distinctive ornamental attire is also notable, with gold appliqués, and embroidered details typical of the iconography of arquebus-wielding angels and archangels in South American viceregal art.