101887642

Vendu
Wassily Kandinsky (1866–1944) (after) - "Composition VIII, 1923"
Offre finale
€ 110
Sans prix de réserve
Il y a 11 semaines

Wassily Kandinsky (1866–1944) (after) - "Composition VIII, 1923"

- Wassily Kandinsky (after), "Composition VIII, 1923". Authorized offset print on heavyweight smooth satin paper (approx. 300gsm - refers to paper thickness/density). - Signed in the plate. - Stamp on verso. - Condition: excellent. Never framed, never exposed. - Size: 60 x 80cm. - A masterwork of geometric abstraction and one of the defining images of the Bauhaus period, Composition VIII embodies Wassily Kandinsky’s revolutionary vision of painting as a universal language of form, colour and spiritual harmony. Created in 1923 during his teaching years at the Bauhaus alongside Paul Klee, László Moholy-Nagy and Josef Albers, this composition marks the transition from the expressive dynamism of his earlier works to a precise, architectural structure that would profoundly influence modern and contemporary abstraction. Circles, diagonals, grids and chromatic planes interact like a visual symphony, echoing Kandinsky’s theory of synaesthesia in which colour and form correspond to musical sound a concept that resonates with the rhythmic structures later explored by Piet Mondrian, the optical clarity of Victor Vasarely and the minimal geometry of Ellsworth Kelly. The floating black lines and calibrated colour accents create a dynamic equilibrium between movement and control, anticipating the visual language of Constructivism and the systematic abstraction that would shape post-war art. The central dominance of the circle which Kandinsky described as “the synthesis of the greatest oppositions” becomes a cosmic and spiritual symbol, aligning this work with the metaphysical aspirations of Kazimir Malevich and the formal purity later pursued by Mark Rothko and Barnett Newman. At the same time, the playful interaction of shapes preserves the poetic freedom that connects Kandinsky to Joan Miró and the lyrical abstraction of the mid-twentieth century. Today, Composition VIII, housed in the Solomon R. Guggenheim Museum in New York, stands as an icon of twentieth-century modernism and a cornerstone for collectors of blue-chip masters. Its visual clarity, intellectual depth and timeless decorative power make it highly sought after in the international market and in contemporary interior design contexts, where works by Kandinsky coexist with those of Pablo Picasso, Henri Matisse, Gustav Klimt and Andy Warhol as essential references in curated fine art collections.

101887642

Vendu
Wassily Kandinsky (1866–1944) (after) - "Composition VIII, 1923"

Wassily Kandinsky (1866–1944) (after) - "Composition VIII, 1923"

- Wassily Kandinsky (after), "Composition VIII, 1923". Authorized offset print on heavyweight smooth satin paper (approx. 300gsm - refers to paper thickness/density).

- Signed in the plate.

- Stamp on verso.

- Condition: excellent. Never framed, never exposed.

- Size: 60 x 80cm.

- A masterwork of geometric abstraction and one of the defining images of the Bauhaus period, Composition VIII embodies Wassily Kandinsky’s revolutionary vision of painting as a universal language of form, colour and spiritual harmony. Created in 1923 during his teaching years at the Bauhaus alongside Paul Klee, László Moholy-Nagy and Josef Albers, this composition marks the transition from the expressive dynamism of his earlier works to a precise, architectural structure that would profoundly influence modern and contemporary abstraction.

Circles, diagonals, grids and chromatic planes interact like a visual symphony, echoing Kandinsky’s theory of synaesthesia in which colour and form correspond to musical sound a concept that resonates with the rhythmic structures later explored by Piet Mondrian, the optical clarity of Victor Vasarely and the minimal geometry of Ellsworth Kelly. The floating black lines and calibrated colour accents create a dynamic equilibrium between movement and control, anticipating the visual language of Constructivism and the systematic abstraction that would shape post-war art.

The central dominance of the circle which Kandinsky described as “the synthesis of the greatest oppositions” becomes a cosmic and spiritual symbol, aligning this work with the metaphysical aspirations of Kazimir Malevich and the formal purity later pursued by Mark Rothko and Barnett Newman. At the same time, the playful interaction of shapes preserves the poetic freedom that connects Kandinsky to Joan Miró and the lyrical abstraction of the mid-twentieth century.

Today, Composition VIII, housed in the Solomon R. Guggenheim Museum in New York, stands as an icon of twentieth-century modernism and a cornerstone for collectors of blue-chip masters. Its visual clarity, intellectual depth and timeless decorative power make it highly sought after in the international market and in contemporary interior design contexts, where works by Kandinsky coexist with those of Pablo Picasso, Henri Matisse, Gustav Klimt and Andy Warhol as essential references in curated fine art collections.

Offre finale
€ 110
Sans prix de réserve
Juan Antonio Rodríguez
Expert
Estimation  € 150 - € 200

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