Intérieurs et décoration

Bijoux et pierres précieuses

Montres, stylos et briquets

Mode

Monnaies et timbres

Bandes dessinées et animation

Voitures et motos de collection et automobilia

Vins, whisky et spiritueux

Art asiatique et tribal

Cartes à collectionner

Jouets et modélisme

Archéologie et histoire naturelle

Sports

Musique, films et appareils photo

Livres et souvenirs historiques

Les multiples facettes des gravures classiques, présentées par {name} 

David Elberg

Alexander Calder (1898-1976) lithograph titled "Fetes III". 

This lithograph was produced in 1971 in Paris by Maeght Editeur. 

Color lithograph on vellum paper

38 x 28 cm

1971

Provenance
This piece was acquired from a New York estate.

Bio
Alexander Calder was born July 22, 1898, in Lawnton, Pennsylvania, into a family of artists. In 1919, he received an engineering degree from Stevens Institute of Technology, Hoboken. Calder attended the Art Students League, New York, from 1923 to 1926, studying briefly with Thomas Hart Benton and John Sloan, among others. As a freelance artist for the National Police Gazette in 1925, he spent two weeks sketching at the circus; his fascination with the subject dates from this time. He also made his first sculpture in 1925; the following year he made several constructions of animals and figures with wire and wood. Calder's first exhibition of paintings took place in 1926 at the Artist's Gallery, New York. Later that year, he went to Paris and attended the Académie de la Grande Chaumière. In Paris, he met Stanley William Hayter, exhibited at the 1926 Salon des Indépendants, and in 1927 began giving performances of his miniature circus. The first show of his wire animals and caricature portraits was held at the Weyhe Gallery, New York, in 1928. That same year, he met Joan Miro, who became his lifelong friend. Subsequently, Calder divided his time between France and the United States. In 1929, the Galerie Billiet gave him his first solo show in Paris. He met Frederick Kiesler, Fernand Léger, and Theo van Doesburg and visited Piet Mondrian's studio in 1930. Calder began to experiment with abstract sculpture at this time and in 1931 and 1932 introduced moving parts into his work. These moving sculptures were called "mobiles"; the stationary constructions were to be named "stabiles." He exhibited with the Abstraction-Création group in Paris in 1933. In 1943, the Museum of Modern Art, New York, gave him a solo exhibition. During the 1950s, Calder traveled widely and executed Towers (wall mobiles) and Gongs (sound mobiles). He won the Grand Prize for Sculpture at the 1952 Venice Biennale. Late in the decade, the artist worked extensively with gouache; from this period, he executed numerous major public commissions. In 1964-65, the Solomon R. Guggenheim Museum, New York, presented a Calder retrospective. He began the Totems in 1966 and the Animobiles in 1971; both are variations on the standing mobile. A Calder exhibition was held at the Whitney Museum of American Art, New York, in 1976. Calder died November 11, 1976, in New York.

Lithographie - Non signé(e) - 1971

Alexander Calder (1898-1976) - Fetes III

Gravures et multiples

Prix de réserve

Sans prix de réserve

Achat immédiat

Jour de clôture

mardi

aujourd'hui

26 avril

samedi

demain

jeudi

vendredi

mercredi

27 avril

28 avril

29 avril

Budget

Pays

France

Italie

Allemagne

Espagne

Pays-Bas

Belgique

Royaume-Uni

Suisse

Japon

Autriche

Hongrie

Portugal

Pologne

Suède

République tchèque

Lettonie

Danemark

Grèce

Irlande

Lituanie

Roumanie

Saint-Marin

États-Unis

Dimensions

Hauteur

Largeur

Profondeur

Marque

Daum

Vitra

Objet

Impression

Lithographie

Sculpture

Peinture

Œuvre d'art

Dessin

Photographie

Impression numérique

Affiche

Relief

Gravure sur bois

Figure

Statuette

Sculpture sur bloc

Œuvre d’art en techniques mixtes

Livre

Pays d’origine

Inconnu

Chine

Europe

Bulgarie

Amérique du Nord

Côte d’Ivoire

Amérique du Sud

Argentine

Canada

Mexique

Matériau

Bronze

Bois

Argent

Bronze patiné

Acier

Céramique

Métal

Marbre

Papier

Argent 800

Plaqué or

Laiton

Cristal

Plâtre

Terre cuite

Résine

Verre

Pierre

En alliage

Noyer

Argent 1000

Laiton doré

État

Excellent état

Bon état

État correct

Restauration requise

A (excellent - état neuf)

SUP (Superbe)

B+ (bon - petites imperfections)

Excellent

Très bon

État d'origine

Comme neuf, inutilisé

Époque

1970-1980

1980-1990

1960-1970

1990-2000

2000-2010

1950-1960

2010-2020

2020 et après

XIXe siècle

1920-1930

XVIIe siècle

1940-1950

XVIIIe siècle

1910-1920

1900-1910

1930-1940

XVIe siècle

XVe siècle

Années 2000

Thème

Portrait

Culture Pop

Mythologie

Animaux

Architecture

Nature

Paysage

Religion

Nature morte

Marine

Paysage urbain

Scène de jour

Plantes et fleurs

Scène historique

Scène d’intérieur

Scène de nuit

Sites célèbres

Militaire

Scène d’été

Photographie d’art

Scène de printemps

Style

Contemporain

Abstrait

Surréalisme

Moderne

Post-impressionnisme

Pop art

Expressionisme

Cobra

Art optique

Cubisme

Réalisme

Art conceptuel

Art métaphysique

Art nouveau

Baroque

Classique

Art naïf

Art populaire

Renaissance

Expressionnisme abstrait

Symbolisme

Art déco

Impressionnisme

Minimalisme

Bauhaus

Technique

Sérigraphie

Gravures et multiples

Cet objet n’est plus disponible, mais il en reste beaucoup d’autres à découvrir

Alexander Calder (1898-1976) - Fetes III

Populaire dans la catégorie Gravures et multiples

1802 objets

Collections en lien avec ce thème