Michael Joseph (1941-) - Museum fashion - Unique authentic darkroom test print
00
jours
16
heures
03
minutes
01
seconde
Offre actuelle
€ 15
Sans prix de réserve
Expert
Sélectionné par Kai Brückner
Plus de 35 ans d'expérience ; ancien galeriste et conservateur au Museum Folkwang.
Estimation € 700 - € 900
15 autres personnes s’intéressent cet objet
 Enchérisseur 5738 | 15 € | |
|---|---|---|
| Enchérisseur 2006 | 10 € | |
| Enchérisseur 5738 | 10 € | |
Protection des acheteurs Catawiki
Votre paiement est en sécurité chez nous jusqu’à la réception de votre objet.Voir les informations
Trustpilot 4.4 | 121798 d’avis
Noté Excellent sur Trustpilot.
Description fournie par le vendeur
“Museum Fashion”
Michael Joseph, 1970s
Original darkroom print, signed
A scene brimming with spectacle — witty, stylish, and wonderfully theatrical.
At first glance, it is simply a museum gallery:
armour on plinths, weapons on the walls,
an ornate chandelier hovering above the hall.
But step into the photograph
and the whole room stirs into story.
Two impeccably dressed women stroll through the armoury,
their tailored coats and purposeful elegance
set in mischievous counterpoint
to the steel helmets and medieval cuirasses surrounding them.
One slips on a knight’s helm with delightful nonchalance;
the other, chic beneath her white hat,
glances over with a conspiratorial smile.
Behind them, the museum guard gestures in alarm —
is he admonishing, guiding, or simply astonished?
A young girl peers up from beneath a visor,
half-hidden and wholly enchanted.
Every figure in the room seems to be performing,
as if Joseph whispered stage directions
only they could hear.
Michael Joseph adored scenes like this:
places where order and chaos intercept,
where fashion wanders boldly into history
and both emerge transformed.
Though celebrated for the mythic swagger of Beggars Banquet,
his commercial and editorial work
was rich with these layered tableaux —
clever, human, irresistibly alive.
It is no wonder that images of this calibre
quietly shaped the success of the brands he worked with.
A composition this stylish, this witty,
would have given any fashion house —
including the duffle-coat company —
a distinctive lift in visibility and desirability.
Joseph understood how to make clothing not just worn,
but storied.
The sepia-warm tones of this original 1970s darkroom print
lend the scene a cinematic depth,
softening grandeur, heightening mischief,
turning the museum into a stage
where elegance and armour, propriety and play,
meet in perfect tension.
Preserved in the artist’s archive
and released by his daughter,
this is a rare, characterful vintage piece
from a particularly imaginative chapter of Joseph’s career.
Mounted to 50 × 40 cm,
and packaged with great care and devotion —
continuing the same respect and preservation
given to every surviving one-off print
from Michael Joseph’s collection.
#MichaelJosephPhotography #VintageFashionPhotography #1970sArt #DarkroomPrint #MuseumPhotography #FashionHistory #EditorialPhotography #BritishPhotographers #CollectibleArt #AnaloguePhotography #VintagePrints #ArtCollectors #Dufflecoats #Seventiesphotography
À propos du vendeur
My father, Michael Joseph, was an advertising photographer based in London from the mid-sixties to the early nineties. During that time, he created some truly remarkable work — his most famous moment being the Beggars Banquet gatefold for the Rolling Stones.
My ongoing mission is to share and celebrate what we call “the other photos” — the lesser-known but equally captivating pieces from his archive. Within this collection you’ll find a mix of test prints, images from specific photo shoots, and more personal works, all created with his characteristic passion and devotion.
Many of these images owe their atmosphere to the magic of the darkroom: intricate group scenes, striking still lifes, and moments that draw the viewer in and stir emotion. Variety is key - and I often offer unique, one-off pieces.
I hope you enjoy discovering my father’s work, and I look forward to sending you a genuine piece of photographic history.
“Museum Fashion”
Michael Joseph, 1970s
Original darkroom print, signed
A scene brimming with spectacle — witty, stylish, and wonderfully theatrical.
At first glance, it is simply a museum gallery:
armour on plinths, weapons on the walls,
an ornate chandelier hovering above the hall.
But step into the photograph
and the whole room stirs into story.
Two impeccably dressed women stroll through the armoury,
their tailored coats and purposeful elegance
set in mischievous counterpoint
to the steel helmets and medieval cuirasses surrounding them.
One slips on a knight’s helm with delightful nonchalance;
the other, chic beneath her white hat,
glances over with a conspiratorial smile.
Behind them, the museum guard gestures in alarm —
is he admonishing, guiding, or simply astonished?
A young girl peers up from beneath a visor,
half-hidden and wholly enchanted.
Every figure in the room seems to be performing,
as if Joseph whispered stage directions
only they could hear.
Michael Joseph adored scenes like this:
places where order and chaos intercept,
where fashion wanders boldly into history
and both emerge transformed.
Though celebrated for the mythic swagger of Beggars Banquet,
his commercial and editorial work
was rich with these layered tableaux —
clever, human, irresistibly alive.
It is no wonder that images of this calibre
quietly shaped the success of the brands he worked with.
A composition this stylish, this witty,
would have given any fashion house —
including the duffle-coat company —
a distinctive lift in visibility and desirability.
Joseph understood how to make clothing not just worn,
but storied.
The sepia-warm tones of this original 1970s darkroom print
lend the scene a cinematic depth,
softening grandeur, heightening mischief,
turning the museum into a stage
where elegance and armour, propriety and play,
meet in perfect tension.
Preserved in the artist’s archive
and released by his daughter,
this is a rare, characterful vintage piece
from a particularly imaginative chapter of Joseph’s career.
Mounted to 50 × 40 cm,
and packaged with great care and devotion —
continuing the same respect and preservation
given to every surviving one-off print
from Michael Joseph’s collection.
#MichaelJosephPhotography #VintageFashionPhotography #1970sArt #DarkroomPrint #MuseumPhotography #FashionHistory #EditorialPhotography #BritishPhotographers #CollectibleArt #AnaloguePhotography #VintagePrints #ArtCollectors #Dufflecoats #Seventiesphotography
À propos du vendeur
My father, Michael Joseph, was an advertising photographer based in London from the mid-sixties to the early nineties. During that time, he created some truly remarkable work — his most famous moment being the Beggars Banquet gatefold for the Rolling Stones.
My ongoing mission is to share and celebrate what we call “the other photos” — the lesser-known but equally captivating pieces from his archive. Within this collection you’ll find a mix of test prints, images from specific photo shoots, and more personal works, all created with his characteristic passion and devotion.
Many of these images owe their atmosphere to the magic of the darkroom: intricate group scenes, striking still lifes, and moments that draw the viewer in and stir emotion. Variety is key - and I often offer unique, one-off pieces.
I hope you enjoy discovering my father’s work, and I look forward to sending you a genuine piece of photographic history.
Détails
Date d’impression
1970
Artiste
Michael Joseph (1941-)
Vendu(e) par
Propriétaire ou revendeur
Titre de l'œuvre d'art
Museum fashion - Unique authentic darkroom test print
Condition
État d'origine
Technique
Tirage au gélatino-bromure d'argent
Hauteur
36 cm
Édition
Darkroom print by the photographer
Largeur
28,5 cm
Signature
Signé à la main
Genre
Mode
Vendu par
