99961352

Vendu
Une sculpture en bois - Voodoo - Fon - Togo  (Sans prix de réserve)
Offre finale
€ 133
Il y a 1 jour

Une sculpture en bois - Voodoo - Fon - Togo (Sans prix de réserve)

A Fon/Vodoo fetish figure, Togo, covered with various fetish materials and padlocks: covered with blue pigments. Signs of ritual use and age. In the Fon religious and sculptural context of the Togo-Benin border region, padlocks are often integrated into figures and objects as functional and symbolic devices rather than mere decorative elements. Their primary purpose is to secure access to objects that are considered spiritually potent or ritually charged, such as fetish boxes, shrine figures, or ritual bundles containing medicine, powders, or consecrated substances. By locking these objects, practitioners assert control over the spiritual forces contained within, limiting access to initiated priests or sanctioned individuals and preventing unauthorized manipulation that could bring harm.
Beyond this practical security, padlocks carry a symbolic weight: they represent restriction and protection, signaling that the power or secrets enclosed are guarded and not to be tampered with lightly. They may also operate as a physical manifestation of oaths, spiritual contracts, or the enforcement of communal norms, where breaking the lock could entail ritual or social consequences. In some cases, the padlocks themselves become ritualized, blessed, or imbued with protective power, thus extending the potency of the figure or object they secure. This dual function—practical containment and symbolic protection—is typical of Fon and broader West African Vodun material culture, where material form and ritual efficacy are inseparable. CAB27094

99961352

Vendu
Une sculpture en bois - Voodoo - Fon - Togo  (Sans prix de réserve)

Une sculpture en bois - Voodoo - Fon - Togo (Sans prix de réserve)

A Fon/Vodoo fetish figure, Togo, covered with various fetish materials and padlocks: covered with blue pigments. Signs of ritual use and age.

In the Fon religious and sculptural context of the Togo-Benin border region, padlocks are often integrated into figures and objects as functional and symbolic devices rather than mere decorative elements. Their primary purpose is to secure access to objects that are considered spiritually potent or ritually charged, such as fetish boxes, shrine figures, or ritual bundles containing medicine, powders, or consecrated substances. By locking these objects, practitioners assert control over the spiritual forces contained within, limiting access to initiated priests or sanctioned individuals and preventing unauthorized manipulation that could bring harm.
Beyond this practical security, padlocks carry a symbolic weight: they represent restriction and protection, signaling that the power or secrets enclosed are guarded and not to be tampered with lightly. They may also operate as a physical manifestation of oaths, spiritual contracts, or the enforcement of communal norms, where breaking the lock could entail ritual or social consequences. In some cases, the padlocks themselves become ritualized, blessed, or imbued with protective power, thus extending the potency of the figure or object they secure. This dual function—practical containment and symbolic protection—is typical of Fon and broader West African Vodun material culture, where material form and ritual efficacy are inseparable.

CAB27094

Offre finale
€ 133
Dimitri André
Expert
Estimation  € 280 - € 350

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