1. The Mothers Of Invention – Superstarshine Vol. 13 (Metro Records – 2356 090) made in Holland 1972 compilation LP | vinyl: NM (mint-) | cover: VG++ (excellent) Psychedelic Rock, Avantgarde | see photos for tracklisting. 2. The Mothers – Mothermania - The Best Of The Mothers (Verve Records – 710 021) made in Germany gatefold 1969 original compilation LP | vinyl: NM (mint-) | cover: VG++ (excellent) gatefold | This release is a compilation of stereo & mono tracks from Freak Out!, Absolutely Free and We're Only In It For The Money remixed/edited by Frank. | "Mother People" is the previously unreleased uncensored version. - Blues Rock, Psychedelic Rock, Avantgarde, Experimental 3. The Mothers – Fillmore East - June 1971 (Reprise Records – K 44150) made in UK 1971 original 1st pressing LP | vinyl: NM (mint-) | cover: VG++ (excellent) small writing front cover -- Jazz-Rock, Avantgarde, Parody 4. The Mothers Of Invention – Uncle Meat (Reprise Records – 2MS 2024) made in USA gatefold 1976 reissue 2LP-Set of 1969 double album | vinyl: NM (mint-) | cover: NM (mint-) gatefold | Musique Concrète, Avantgarde, Fusion, Doo Wop, Experimental, Parody. The music on this album was recorded over a period of about 5 months from October 1967 to February 1968. Things that sound like a full orchestra were carefully assembled, track by track through a procedure known as over-dubbing. The weird middle section of DOG BREATH(after the line , "Ready to attack") has forty tracks built into it. Things that sound like trumpets are actually clarinets played through an electric device made by Maestro with a setting labeled Oboe D'Amore and sped up a minor third with a V.S.O. (variable speed oscillator). Other perculiar sounds were made on a Kalamazoo electric organ. The only equipment at our disposal for the modification of these primary sounds was a pair of Pultec Filters, two Lan Equalizers, and three Melchor Compressors built into the board at Apostolic Studios in New York. The board itself is exceptionally quiet and efficient (the only thing that allowed us to pile up so many tracks) and is the product of Mr Lou Lindauer's imagination & workmanship. The material was recorded on a prototype Scully 12 track machine at 30 ips. The whole project was engineered by Richard Kunc or Dynamite Dick, as he is known to the trade. Special engineering credits go to Jerry Hansen for the percussion effects added later at Sunset Sound in L.A., and to our friend Mike in Copenhagen for the tapes he sent us.