Icona - Deesis - Bronzo patinato






Vanta ampia conoscenza delle icone religiose con sei anni di esperienza collezionistica.
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Descrizione del venditore
Spedito solo all'interno dell'UE.
TRIPTICO DI VIAGGIO ORTODOSSO RUSSO (SKLADEN)
Cast bronze, Russia, second half of the 19th century
Dimensions: 7.5 × 19.5 cm (open)
Weight: 357 g
Rare Russian Orthodox folding triptych ("skladen"), made by casting in bronze/brass of the Old Believers tradition, decorated in deep relief with Byzantine-Russian canonical representations and inscriptions in Church Slavonic, Old Cyrillic alphabet.
The central panel represents Christ Pantocrator, blessing and holding the open Gospel. Around the halo appear the sacred abbreviations:
• "ІС ХС" = "Gesù Cristo"
• "Ѡ Н" = "Colui che è" (la formula teologica bizantina derivata dalla rivelazione divina "Io sono Colui che sono").
The left panel represents the Mother of God, with the inscription:
• "МР ΘУ" = "Madre di Dio" (abbreviazione greco-slava della tradizione bizantina).
The right panel represents Saint John the Baptist ("Angel of the Desert"), with wings and the symbolic chalice containing the Christ Child. The inscription:
• "СТЫ ИОАНН КРЕСТИТЕЛЬ" translates:
• "Santissimo Giovanni Battista".
On the reverse side is the Golgotha Cross with the symbols of the Passion and liturgical abbreviations specific to Russian Orthodox iconography:
• "ЦРЬ СЛВЫ" = "Imperatore della Gloria"
• "ІС ХС" = "Gesù Cristo".
The piece belongs to the typology of traveling icons used by Russian believers and Old Believer communities ("старообрядцы"), highly appreciated for their resistance and portability.
The execution technique is the traditional Russian sand and clay casting technique, followed by manual finishing and patination by natural oxidation. These metal icons were made by casting molten alloy into carved molds, a method specific to Russian religious workshops from the 18th–19th centuries.
The iconographic style, the tripartite composition, the Slavonic characters and the casting manner indicate an imperial-Russian production from the second half of the 19th century, in the tradition of the Old Believers workshops.
A rare collector's item, with devotional and ethnographic value, representative of Russian Orthodox traveling art.
Spedito solo all'interno dell'UE.
TRIPTICO DI VIAGGIO ORTODOSSO RUSSO (SKLADEN)
Cast bronze, Russia, second half of the 19th century
Dimensions: 7.5 × 19.5 cm (open)
Weight: 357 g
Rare Russian Orthodox folding triptych ("skladen"), made by casting in bronze/brass of the Old Believers tradition, decorated in deep relief with Byzantine-Russian canonical representations and inscriptions in Church Slavonic, Old Cyrillic alphabet.
The central panel represents Christ Pantocrator, blessing and holding the open Gospel. Around the halo appear the sacred abbreviations:
• "ІС ХС" = "Gesù Cristo"
• "Ѡ Н" = "Colui che è" (la formula teologica bizantina derivata dalla rivelazione divina "Io sono Colui che sono").
The left panel represents the Mother of God, with the inscription:
• "МР ΘУ" = "Madre di Dio" (abbreviazione greco-slava della tradizione bizantina).
The right panel represents Saint John the Baptist ("Angel of the Desert"), with wings and the symbolic chalice containing the Christ Child. The inscription:
• "СТЫ ИОАНН КРЕСТИТЕЛЬ" translates:
• "Santissimo Giovanni Battista".
On the reverse side is the Golgotha Cross with the symbols of the Passion and liturgical abbreviations specific to Russian Orthodox iconography:
• "ЦРЬ СЛВЫ" = "Imperatore della Gloria"
• "ІС ХС" = "Gesù Cristo".
The piece belongs to the typology of traveling icons used by Russian believers and Old Believer communities ("старообрядцы"), highly appreciated for their resistance and portability.
The execution technique is the traditional Russian sand and clay casting technique, followed by manual finishing and patination by natural oxidation. These metal icons were made by casting molten alloy into carved molds, a method specific to Russian religious workshops from the 18th–19th centuries.
The iconographic style, the tripartite composition, the Slavonic characters and the casting manner indicate an imperial-Russian production from the second half of the 19th century, in the tradition of the Old Believers workshops.
A rare collector's item, with devotional and ethnographic value, representative of Russian Orthodox traveling art.
