Tyler - Quadriptych n°1 ( ready to hang )





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Tyler presenta Quadriptych n°1 (ready to hang), un'opera astratta originale del 2026 realizzata con spray, acrilico e tecniche miste su tela, dimensioni 45 cm x 30 cm, firmata a mano, in ottime condizioni, proveniente dalla Francia, venduta direttamente dall'artista.
Descrizione del venditore
"Quadriptych n°1" è un'opera astratta con triangoli e cerchi geometrici
Dimensioni: 38 x 38cm/31 x 31cm/23 x 23cm/15 x 15cm
Universo visivo: Sovrapposizione di triangoli e poligoni.
Tecnica e resa: Un insieme di texture realizzate con stencil e bombolette spray, che conferiscono profondità e rilievo.
•Il pittore: Tyler / Benoit Saint-blancard
Born from the chaos of the streets, structured by the sky: a unique vision of geometric abstraction.
An Unconventional Journey
At 31, the artist Tyler has a trajectory as unique as his canvases. Shaped by a background woven between the structured urbanity of Bordeaux and the vibrant intensity of Réunion Island, his creativity took root early on. At the age of 14, he immersed himself in the world of graffiti. This street art gave him early mastery of spray paint and a visceral understanding of dynamic, spontaneous gesture.
His life then took a decisive turn when he became a military parachutist. From this experience, he gained not only unwavering discipline and rigor, but also a fresh perspective: a fragmented, cartographic, and structured vision of landscapes seen from above, where shapes intertwine like coordinates or blueprints.
The Shift to Canvas: From Wall to Stretcher
Two years ago, he made a major artistic pivot by translating his urban expertise onto canvas. This move from the wall to the canvas is not a mere transition, but a complete reinvention. He now devotes himself entirely to geometric abstraction, infusing it with years of street art experience.
The Style: Controlled Geometric Chaos
His work is a fascinating fusion of the instinctive chaos of graffiti and the precision of technical drawing. Through his pieces, he deconstructs and reconstructs shapes.
Architecturality and Fragmentation: His work is strongly defined by the use of deconstructed geometry—triangles, squares, and fine-line grids.
Fusion of Techniques: He layers textures, playing with transparency and opacity. The influence of graffiti shines through in the application of paint and the energy of flat color fields, while fine linework and stencils evoke a quasi-engineering rigor.
Energetic Palette: His color palette oscillates between raw urban shades and vibrant neons, creating striking, eye-catching contrasts.
Now based in Tarbes, the artist focuses on the evolution of his canvas work. Combining iron discipline with a rich history of street creation, he is an emerging talent to watch closely, offering a mature, structured, and decidedly contemporary vision of abstract urban art.
"Quadriptych n°1" è un'opera astratta con triangoli e cerchi geometrici
Dimensioni: 38 x 38cm/31 x 31cm/23 x 23cm/15 x 15cm
Universo visivo: Sovrapposizione di triangoli e poligoni.
Tecnica e resa: Un insieme di texture realizzate con stencil e bombolette spray, che conferiscono profondità e rilievo.
•Il pittore: Tyler / Benoit Saint-blancard
Born from the chaos of the streets, structured by the sky: a unique vision of geometric abstraction.
An Unconventional Journey
At 31, the artist Tyler has a trajectory as unique as his canvases. Shaped by a background woven between the structured urbanity of Bordeaux and the vibrant intensity of Réunion Island, his creativity took root early on. At the age of 14, he immersed himself in the world of graffiti. This street art gave him early mastery of spray paint and a visceral understanding of dynamic, spontaneous gesture.
His life then took a decisive turn when he became a military parachutist. From this experience, he gained not only unwavering discipline and rigor, but also a fresh perspective: a fragmented, cartographic, and structured vision of landscapes seen from above, where shapes intertwine like coordinates or blueprints.
The Shift to Canvas: From Wall to Stretcher
Two years ago, he made a major artistic pivot by translating his urban expertise onto canvas. This move from the wall to the canvas is not a mere transition, but a complete reinvention. He now devotes himself entirely to geometric abstraction, infusing it with years of street art experience.
The Style: Controlled Geometric Chaos
His work is a fascinating fusion of the instinctive chaos of graffiti and the precision of technical drawing. Through his pieces, he deconstructs and reconstructs shapes.
Architecturality and Fragmentation: His work is strongly defined by the use of deconstructed geometry—triangles, squares, and fine-line grids.
Fusion of Techniques: He layers textures, playing with transparency and opacity. The influence of graffiti shines through in the application of paint and the energy of flat color fields, while fine linework and stencils evoke a quasi-engineering rigor.
Energetic Palette: His color palette oscillates between raw urban shades and vibrant neons, creating striking, eye-catching contrasts.
Now based in Tarbes, the artist focuses on the evolution of his canvas work. Combining iron discipline with a rich history of street creation, he is an emerging talent to watch closely, offering a mature, structured, and decidedly contemporary vision of abstract urban art.

