"Spring Table" - XL size! - Mabuchi Toru (1920–1994) - Giappone (Senza prezzo di riserva)
09
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09
ore
55
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55
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€ 2
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Selezionato da Giovanni Bottero
Ha una laurea magistrale in Storia dell'Arte Giapponese e oltre 10 anni di esperienza.
Stima € 250 - € 350
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Una stampa xilografica in edizione limitata del 1964 di Mabuchi Toru, intitolata "Spring Table" (taglia XL), 70/100, immagine 410 × 560 mm con foglio 475 × 620 mm, firma a mano, proveniente dal Giappone, raffigura una scena d'interno nello stile sōsaku hanga degli anni Sessanta, in buone condizioni.
Riepilogo creato con l’aiuto dell’IA
Descrizione del venditore
Artist: Mabuchi Toru (1920–1994)
Titled: "Spring Table"
Technique: Woodblock print
Japan, 1964
Edition: 70/100
Size within the margin: 410 x 560 mm
Full paper size: 475 x 620 mm
A refined modern still life by Mabuchi Toru, one of Japan’s foremost sōsaku-hanga printmakers active during the postwar period. Executed in 1962, Jar and Pears reveals Mabuchi’s masterful synthesis of Japanese craftsmanship and Western modernism.
The composition, structured through overlapping planes and soft muted tones, reflects a clear cubist influence reminiscent of Georges Braque’s still lifes, yet with a uniquely Japanese sense of quiet balance and material texture. Mabuchi translates Braque’s analytical geometry into a more meditative rhythm—using the tactile grain of wood and layered color blocks to evoke both solidity and serenity.
His use of restrained color harmonies—olive greens, greys, and soft blues—further enhances the sense of stillness and depth. Like Braque, Mabuchi transforms everyday vessels and fruit into abstract forms of timeless beauty, bridging European modernism with the subtle discipline of Japanese design.
Born in Tokyo in 1920, died in 1994.
Studied Western-style painting before turning to woodblock printing.
Active in the sōsaku hanga (creative print) movement, emphasizing the artist's own carving and printing.
Known for his mosaic-like textures, geometric abstraction, and archaeological themes, often inspired by dogū (prehistoric clay figurines) and haniwa (ancient burial sculptures).
Participated in major exhibitions in Japan and abroad during the 1950s–1970s.
His work is included in prominent collections such as:
- The British Museum
- National Museum of Modern Art, Tokyo.
Condition: light mat toning as noted, otherwise good.
This work is framed before.
A fine and scarce example of Mabuchi's exploration of Japan's ancient heritage through a modern artistic lens.
The print will be send between hardboard and carton plates to prevent any damage in transport.
Due to the size, higher transport costs.
Sending nearly worldwide, insured with tracking post.
Artist: Mabuchi Toru (1920–1994)
Titled: "Spring Table"
Technique: Woodblock print
Japan, 1964
Edition: 70/100
Size within the margin: 410 x 560 mm
Full paper size: 475 x 620 mm
A refined modern still life by Mabuchi Toru, one of Japan’s foremost sōsaku-hanga printmakers active during the postwar period. Executed in 1962, Jar and Pears reveals Mabuchi’s masterful synthesis of Japanese craftsmanship and Western modernism.
The composition, structured through overlapping planes and soft muted tones, reflects a clear cubist influence reminiscent of Georges Braque’s still lifes, yet with a uniquely Japanese sense of quiet balance and material texture. Mabuchi translates Braque’s analytical geometry into a more meditative rhythm—using the tactile grain of wood and layered color blocks to evoke both solidity and serenity.
His use of restrained color harmonies—olive greens, greys, and soft blues—further enhances the sense of stillness and depth. Like Braque, Mabuchi transforms everyday vessels and fruit into abstract forms of timeless beauty, bridging European modernism with the subtle discipline of Japanese design.
Born in Tokyo in 1920, died in 1994.
Studied Western-style painting before turning to woodblock printing.
Active in the sōsaku hanga (creative print) movement, emphasizing the artist's own carving and printing.
Known for his mosaic-like textures, geometric abstraction, and archaeological themes, often inspired by dogū (prehistoric clay figurines) and haniwa (ancient burial sculptures).
Participated in major exhibitions in Japan and abroad during the 1950s–1970s.
His work is included in prominent collections such as:
- The British Museum
- National Museum of Modern Art, Tokyo.
Condition: light mat toning as noted, otherwise good.
This work is framed before.
A fine and scarce example of Mabuchi's exploration of Japan's ancient heritage through a modern artistic lens.
The print will be send between hardboard and carton plates to prevent any damage in transport.
Due to the size, higher transport costs.
Sending nearly worldwide, insured with tracking post.
Dettagli
Artista
Mabuchi Toru (1920–1994)
Venduto da
Galleria
Edizione
Edizione limitata
Edition number
70/100
Titolo dell'opera
"Spring Table" - XL size!
Tecnica
Xilografia
Firma
Firmato a mano
Paese d’origine
Giappone
Anno
1964
Condizione
Buone condizioni
Altezza
410 mm
Larghezza
560 mm
Raffigurazione/Tematica
Scena d’interni
Stile
Simbolismo
Periodo
1960-1970
Venduto con cornice
No
Venduto da
