Max Modolo - Vaso - Gres - Vaso in carbonio





2 € |
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Carbon Vase, vaso biomorfo in gres porcellanato nero con smalto testurizzato e goccioline d’oro minerale, 17 cm di diametro, altezza 22 cm, profondità 17 cm, prodotto in Italia, stile moderno rustico, cotto a 1240°C, in condizioni pari al nuovo.
Descrizione del venditore
Gres porcellanato. Temperatura di cottura 1240°C. Vasetto biomorfico con bordo esploso. Smalto testurizzato in tonalità di nero e grigio scuro. Gocce e crateri dorati minerali.
Max:
“My artistic experimentation in the field of ceramics is linked to both shapes and textures; I am very interested in the effects of ceramics and glazes obtained by some Italian artists, such as Guido Gambone and Marcello Fantoni, I have always been attracted by the shapes created by Lucie Rie and Hans Coper; recently I have been interested in the German ceramics of the 60s and 70s, known as Fat Lava ceramics.
My greatest achievement is to be able to create a work that in structure and final appearance is as close as possible to what is envisaged in my mind. In creating ceramic works, in glazing them, in firing them I feel a deep joy, I hope that it will somehow be transmitted to my pieces.”
Gres porcellanato. Temperatura di cottura 1240°C. Vasetto biomorfico con bordo esploso. Smalto testurizzato in tonalità di nero e grigio scuro. Gocce e crateri dorati minerali.
Max:
“My artistic experimentation in the field of ceramics is linked to both shapes and textures; I am very interested in the effects of ceramics and glazes obtained by some Italian artists, such as Guido Gambone and Marcello Fantoni, I have always been attracted by the shapes created by Lucie Rie and Hans Coper; recently I have been interested in the German ceramics of the 60s and 70s, known as Fat Lava ceramics.
My greatest achievement is to be able to create a work that in structure and final appearance is as close as possible to what is envisaged in my mind. In creating ceramic works, in glazing them, in firing them I feel a deep joy, I hope that it will somehow be transmitted to my pieces.”

