Stefanie Schneider - Dashboard Palm Trees (Sidewinder)






Ha oltre dieci anni di esperienza nel campo dell'arte, specializzandosi in fotografia del dopoguerra e arte contemporanea.
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Descrizione del venditore
Palm Tree Dashboard (Sidewinder)
Edition 4/10,
22x20 cm.
Archival C-Print, basata sull'original Polaroid.
Excellent condition.
Etichetta con firma e certificato.
Inventario dell'artista #3031.23.
Not mounted.
Questo pezzo deve essere prodotto e spedito sia dalla Germania che dagli USA a seconda della tua posizione. Questo significa che non ci sono dazi d'importazione né per gli USA né per l'UE.
Sidewinder -
private history turned into an intimate mythology of elemental fantasies where reality is perceived through a veil of psychedelic memories and unconscious projections. such is a collection of passions and dreams, an uncanny diary of ephemeral narratives and mental intensities in Stefanie Schneider’s painterly photographs where subjectivity of an ontological doubt uses a poetics of pastische as a vehicle for an intertextual journey towards the truth and the authenticity of primary emotions. here time is immersed in a nostalgic suspense of oneiric dimension, a sort of ambiguous coma of silence and comfort, and open space embraces a psychotic landscape of solitude and accidental pleasure. fetishisized surface of extreme feelings gives a stage for an unsolicited promise of unconditional love and unlimited freedom, a promise framed by sensual tension between fulfillment and expectation.
Adam Budak, Kunsthaus Graz, Oct 2005
Palm Tree Dashboard (Sidewinder)
Edition 4/10,
22x20 cm.
Archival C-Print, basata sull'original Polaroid.
Excellent condition.
Etichetta con firma e certificato.
Inventario dell'artista #3031.23.
Not mounted.
Questo pezzo deve essere prodotto e spedito sia dalla Germania che dagli USA a seconda della tua posizione. Questo significa che non ci sono dazi d'importazione né per gli USA né per l'UE.
Sidewinder -
private history turned into an intimate mythology of elemental fantasies where reality is perceived through a veil of psychedelic memories and unconscious projections. such is a collection of passions and dreams, an uncanny diary of ephemeral narratives and mental intensities in Stefanie Schneider’s painterly photographs where subjectivity of an ontological doubt uses a poetics of pastische as a vehicle for an intertextual journey towards the truth and the authenticity of primary emotions. here time is immersed in a nostalgic suspense of oneiric dimension, a sort of ambiguous coma of silence and comfort, and open space embraces a psychotic landscape of solitude and accidental pleasure. fetishisized surface of extreme feelings gives a stage for an unsolicited promise of unconditional love and unlimited freedom, a promise framed by sensual tension between fulfillment and expectation.
Adam Budak, Kunsthaus Graz, Oct 2005
