Tijs Dragtsma (1992) - Leashed to His Own Shadow

Seen from behind, a man walks across a field of fine scratches, and ahead of him, stretched far beyond his own height, moves a shadow he holds on a leash. The shadow is not smaller than him, as shadows usually are. It is larger, longer, almost its own figure, leading as much as being led.

In this work the surface itself becomes the light. The ground the two figures stand on is a field of individual marks, worked into the acrylic glass until it holds a quiet glow, and out of that glow the man and his shadow are left dark, untouched, cut away rather than drawn in. No paint. No print. No ink. The image is scratched into the surface, and it is always there, present even without a spotlight aimed at it.

What makes the piece hold your attention is the question it will not answer. Is he walking the shadow, or is the shadow pulling him along, patient and oversized, waiting for the moment the leash runs out. The longer a shadow grows, the more it seems to lead rather than follow, and here that reversal is built directly into the composition.

From a distance the scene reads as a single calm gesture, two dark shapes joined by a thin curved line against a luminous ground. Step closer and that ground resolves into a field of individual marks, each one part of the light that holds the figures in place. Light does not create the image here. It sharpens it, deepening the contrast between the man, his shadow, and the surface that carries them both.

Leashed to His Own Shadow continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure, used here to ask what it means to carry your own darkness on a line, always a step behind you, always a step ahead.

"Some things cannot be left behind. They can only be walked, carefully, on a leash of your own making."

About Art with Scratch

Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness.

From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into a dense field of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole.

Light does not create the image. It sharpens it. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens and settles back toward the darkness from which it came, without ever disappearing. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality.

What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence.

In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it settles back into stillness. It is within that movement, between sharpness and calm, that the work comes alive.

Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light.

About the Artist

My name is Tijs Dragtsma, founder of TD Fine Art Studio.

As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together.

My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create.

Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence.

I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time.

TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.