Anthony Chrisp

Nuova ondata: artisti pop emergenti

Elvis Through Scratched Light inizia dove la fotografia finisce. La 

Elvis Through Scratched Light begins where photography ends. The quiff, the curled lip, the famous profile caught close to an old microphone, none of it sits printed on the acrylic glass. It is scratched into the surface itself, through controlled surface damage, not applied onto it.

The quiff and the line of the cheekbone hold the brightest field of fine scratches, the place where the light gathers and the portrait becomes unmistakably him. The eyes, the collar and the deep black ground are left untouched, so the face comes forward out of darkness instead of being lit from outside it. What the work keeps is the face itself, what it lets go is detail. There is no skin texture, no studio sheen, only the structure of a face shaped from marks and the dark that surrounds it.

The microphone stays mostly in shadow, a dark form with just enough scratched highlight along its grille to be recognised. It becomes less an object than an idea, the barrier between the man and the myth, the instrument that turned a voice into a legend. Elvis looks past it, half in light, half withheld, the way icons so rarely let themselves be fully seen.

Seen from across a room, Elvis Through Scratched Light reads as a single, monumental face suspended in black. Step closer and that face opens into a field of individual marks, each one placed, none of them accidental. Light does not create this image. It sharpens it, deepening the contrast and giving the scratches their shine, while the portrait itself never leaves the surface it is held in.

The work continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure. This work is unique.

"The light does not make him. It only lets him through."

About Art with Scratch

Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness.

From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into a dense field of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole.

Light does not create the image. It sharpens it. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens and settles back toward the darkness from which it came, without ever disappearing. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality.

What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence.

In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it settles back into stillness. It is within that movement, between sharpness and calm, that the work comes alive.

Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light.

About the Artist

My name is Tijs Dragtsma, founder of TD Fine Art Studio.

As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together.

My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create.

Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence.

I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time.

TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.

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Tijs Dragtsma (1992) - Elvis Through Scratched Light

Tecnica mista - Firmato - 2026

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Tijs Dragtsma (1992) presenta Elvis Through Scratched Light, un’opera originale su supporte misto del 2026 in bianco e nero, 51 × 51 cm, firmata, unica e venduta con cornice direttamente dall’artista.

Tijs Dragtsma (1992) - Elvis Through Scratched Light

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Tijs Dragtsma (1992) presenta Elvis Through Scratched Light, un’opera originale su supporte misto del 2026 in bianco e nero, 51 × 51 cm, firmata, unica e venduta con cornice direttamente dall’artista.

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