Długa tkanina - Kain Sisihan Lasem - Java - Indonezja






Posiada ponad 25 lat doświadczenia w sztuce azjatyckiej i prowadziła galerię.
€ 145 | ||
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€ 135 | ||
€ 125 | ||
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Ten jawajski batik bawełniany z początku XX wieku, znany jako Kain Sisihan Lasem, został ręcznie narysowany naturalnymi barwnikami i przedstawia podzielony motyw kwiatowy z bordiurami tumpal; tkanina ma 248 × 105 cm i jest w dość dobrym stanie.
Opis od sprzedawcy
Hand drawn Long cloth
Batik Tulis Kain Panjang — Kain Sisihan
North Coast Java, Indonesia — Probably Lasem
Early 20th century, circa 1900–1920
A finely executed hand-drawn batik (batik tulis kain panjang), featuring the distinctive kain sisihan composition, traditionally associated with the batik-producing regions of Java’s northern coast ( Lasem)
This intricate cloth displays a division into two halves, achieved through the contrasting colours of the bisected borders and the end sections of the kepala. One kepala is rendered in a rich, deep red, while the opposite end is distinguished by a very dark brown, almost black ground. This striking contrast emphasises the divided composition characteristic of kain sisihan.
The central field is decorated with a single species of flower blooming among delicate leaves and intertwining branches, creating the impression of a traditional, free-flowing floral creeper. The floral ornamentation is rendered in reddish-brown and indigo-blue against a warm ivory ground.
Both kepala sections feature alternating elongated triangular tumpal motifs, complemented by finely detailed ornamental borders.
The tumpal motif, often associated with the stylised bamboo shoot (pucuk rebung), carries traditional symbolism of protection, fertility and renewal. In some Indonesian textile traditions, its triangular form is regarded as a protective talisman intended to ward off misfortune or malevolent spirits, while the emerging bamboo shoot represents growth, vitality and the continuity of
The textile shows signs of age and use, including a few historical repairs and small, scattered insect holes. The cloth has undergone freezing treatment as a preventive conservation measure against textile pests. These minor imperfections are consistent with its age and historical use.
Our collection features authentic art objects, collectibles and from Indonesia and other Asian countries, including China, Japan, Myanmar (Burma), and Thailand. These pieces come from our family’s private collection, including treasures inherited through generations.
We are now downsizing and offering these cherished objects to new owners who will appreciate them. We are private collectors, not antique dealers, and will gladly share as much information as we can about each piece and its history.
Hand drawn Long cloth
Batik Tulis Kain Panjang — Kain Sisihan
North Coast Java, Indonesia — Probably Lasem
Early 20th century, circa 1900–1920
A finely executed hand-drawn batik (batik tulis kain panjang), featuring the distinctive kain sisihan composition, traditionally associated with the batik-producing regions of Java’s northern coast ( Lasem)
This intricate cloth displays a division into two halves, achieved through the contrasting colours of the bisected borders and the end sections of the kepala. One kepala is rendered in a rich, deep red, while the opposite end is distinguished by a very dark brown, almost black ground. This striking contrast emphasises the divided composition characteristic of kain sisihan.
The central field is decorated with a single species of flower blooming among delicate leaves and intertwining branches, creating the impression of a traditional, free-flowing floral creeper. The floral ornamentation is rendered in reddish-brown and indigo-blue against a warm ivory ground.
Both kepala sections feature alternating elongated triangular tumpal motifs, complemented by finely detailed ornamental borders.
The tumpal motif, often associated with the stylised bamboo shoot (pucuk rebung), carries traditional symbolism of protection, fertility and renewal. In some Indonesian textile traditions, its triangular form is regarded as a protective talisman intended to ward off misfortune or malevolent spirits, while the emerging bamboo shoot represents growth, vitality and the continuity of
The textile shows signs of age and use, including a few historical repairs and small, scattered insect holes. The cloth has undergone freezing treatment as a preventive conservation measure against textile pests. These minor imperfections are consistent with its age and historical use.
Our collection features authentic art objects, collectibles and from Indonesia and other Asian countries, including China, Japan, Myanmar (Burma), and Thailand. These pieces come from our family’s private collection, including treasures inherited through generations.
We are now downsizing and offering these cherished objects to new owners who will appreciate them. We are private collectors, not antique dealers, and will gladly share as much information as we can about each piece and its history.
