Alfonso Parisini

Auktion over amerikanske tegneserier (søndagssjov)

Sjældne bevarede avisstrimler med Betty Boop af Max Fleischer. 16 sider (29x39,5 cm). Siderne er i meget god stand, der kan opstå rynker, revner og afskalling; se billederne for detaljer. 
 
Periode 1935-1936 (6x1935, 10x1936)
 
 Tegneserier på bagsiden: The G-Man (14x), Needlenoose Noonan,...
 
Max Fleischer (født Majer Fleischer /ˈflaɪʃər/; 19. juli 1883 – 11. september 1972) var en amerikansk animator og studiodirektør. Født i Kraków, i Østrigske Polen, immigrerede Fleischer til USA, hvor han blev en pioner inden for udviklingen af den animerede tegnefilm og fungerede som leder af Fleischer Studios, som han grundlagde sammen med sin yngre bror Dave. Han bragte sådanne tegnefigur(er) som Koko the Clown, Betty Boop, Popeye og Superman til filmbilledet og var ansvarlig for flere teknologiske innovationer, herunder rotoskopet, teknikken 

Rare surviving newspaper strips featuring Betty Boop by Max Fleisher. 16 pages (29x39.5 cm). The pages are in very good condition, wrinkles, tears, flaking can occur, look at the photos for details. 
 

Period 1935-1936 (6x1935, 10x1936)

Comics on the back: The G-Man (14x), Needlenoose Noonan,...

Max Fleischer (born Majer Fleischer /ˈflaɪʃər/; July 19, 1883 – September 11, 1972) was an American animator and studio owner. Born in Kraków, in Austrian Poland, Fleischer immigrated to the United States where he became a pioneer in the development of the animated cartoon and served as the head of Fleischer Studios, which he co-founded with his younger brother Dave. He brought such comic characters as Koko the Clown, Betty Boop, Popeye, and Superman to the movie screen, and was responsible for several technological innovations, including the Rotoscope, the "Follow the Bouncing Ball" technique pioneered in the Ko-Ko Song Car-Tunes films, and the "Stereoptical Process". Film director Richard Fleischer was his son. 

Max Fleischer's Betty Boop character was born out of a cameo caricature in the early Talkartoon, Dizzy Dishes (1930). Fashioned after popular singer Helen Kane, she originated as a hybrid poodle/canine figure and was such a sensation in the New York preview that Paramount encouraged Fleischer to develop her into a continuing character. While she originated under animator Myron "Grim" Natwick, she was transformed into a human female under Seymour Kneitel and Berny Wolf and became Fleischer's most famous character.

The "Betty Boop" series began in 1932 and became a big success for Fleischer. That same year, Helen Kane filed a lawsuit against Fleischer, Fleischer Studios, and Paramount claiming that the cartoons were a deliberate caricature of her, created unfair competition, and had ruined her career. The suit went to trial in 1934. Judge Edward J. McGoldrick ruled, "The plaintiff has failed to sustain either cause of action by proof of sufficient probative force." In his opinion, the "baby" technique of singing did not originate with Kane

Will be shipped with track&trace.

The lots in this auction can be shipped combined. This is taken into account up to a weight of 5 kg. If packages need to be split due to weight, an additional charge will apply. In this case, we will contact you.

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Betty Boop - 16 Avis sider - 1935/1936

Max Fleisher - Meget god

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Betty Boop-avissider, 16 løse sider fra 1935–1936 af Max Fleischer, i meget god stand.

Betty Boop - 16 Avis sider - 1935/1936

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Betty Boop-avissider, 16 løse sider fra 1935–1936 af Max Fleischer, i meget god stand.

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