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Tom Hopman

Art Nouveau and Rene Lalique, 5 Books

3 Hardcover and 2 Softcover

1.Un ensemble Art Nouveau : La donation Rispal by Philippe Thiébaut (Musée d’Orsay / Flammarion, 2006; 286 pp, Hardback in French, 

Un ensemble Art Nouveau – La donation Rispal is a masterful catalog that celebrates a cornerstone donation to Musée d’Orsay. It offers detailed catalog entries, contextual essays, and lavish imagery that collectively illuminate the scope and significance of Rispal’s Art Nouveau legacy.
Overview
This richly illustrated catalog documents the landmark exhibition held at Musée d’Orsay (21 Nov 2006 – 28 Jan 2007), showcasing the generous donation of around 250 Art Nouveau artworks—furniture, decorative objects, glassware, ceramics, sculptures, and paintings—assembled by the renowned collector and dealer Antonin Rispal (1920–2003)  . The volume was co-curated by Philippe Thiébaut (chief curator at Musée d’Orsay), Olivier Gabet, Emmanuelle Héran, and Marie-Madeleine Massé  .
Provenance & Significance of the Donation
	•	Antonin Rispal, a pivotal figure in the revival of Art Nouveau in France during the 1960s, owned two galleries in Paris dedicated to the style. His collection remained intact until his death in 2003 .
	•	His wife, Josette Rispal, contributed an additional ensemble tied to Sarah Bernhardt, enriching the donation further  .
	•	The collection, formally donated to the French state in 2005, comprises about 250 itemsencompassing masterpieces by Émile Gallé, Louis Majorelle, Carlo Bugatti, and Alfons Mucha—including one of only two known sculptures by Mucha (“La femme aux lys”)  
Highlights & Featured Objects
	•	Exquisite rarity: Charles Guillaume Diehl’s 1878 marquetry sewing table, Paul Auscher’s dressing table, and Hector Guimard’s original plaster model for a fireplace surround  .
	•	Iconic pieces include vases by Émile Gallé and a feminine sculpture by Mucha, showcasing the range from fine glasswork to sculptural elegance  .
Book Structure & Scholarly Content
	•	Catalogue entries for 250 works, complete with detailed object descriptions, provenance, conservation notes, and scholarly analysis  .
	•	Accompanying essays provide context on Art Nouveau’s resurgence in mid-20th-century France and Rispal’s collecting philosophy, tracing the movement’s roots through key decorative arts and landmark exhibitions  .
	•	The layout is richly visual, with both black-and-white and full-color reproductions, offering museum-quality presentation.
Purpose & Audience
The catalog aims to:
	1.	Document a once-in-a-generation donation, instrumental in enriching Musée d’Orsay’s decorative arts holdings  .
	2.	Serve as a reference for researchers, curators, and collectors interested in Art Nouveau masterpieces.
	3.	Highlight the enduring legacy of Antoni sette Rispal in preserving the style.
Physical Details
	•	Format: Hardback, dust jacket
	•	Length: 286 pages
	•	Language: French
	•	Price: Originally priced at around €60 (new), now collectible in secondhand editions  .
	•	ISBN: 978 2 08 011608 6 .
Who It’s For
	•	Ideal for museum professionals, art historians, interior design specialists, and serious collectors.
	•	Serves as a coffee table art book and a detailed academic catalog in one—especially meaningful to those with an interest in decorative arts history, the Art Nouveau movement, and French cultural heritage.

2.Art nouveau 1890-1914 Paul Greenhalgh RL, 2006, 459 pages Softcover in French 

Art Nouveau 1890–1914 by Paul Greenhalgh is a standout reference: beautiful, informative, and museum quality.
Overview
Published alongside a major exhibition at the Victoria & Albert Museum (London), the National Gallery of Art (Washington DC), and the Tokyo Metropolitan Art Museum, this volume is considered one of the most comprehensive and lavishly illustrated treatments of the Art Nouveau movement  .
Key Details
	•	Editor/Curator: Paul Greenhalgh, then Head of Research at the V&A—responsible for the exhibition’s global reach  .
	•	Edition: Softcover, ~29 cm tall, approximately 496 pages, featuring some color and black and white illustrations  .
	•	Illustrations: 30+ richly detailed essays accompanied by hundreds of images (400+ in color), encompassing furniture, glass, metalwork, textiles, posters, architecture, and more  .
	•	Language: French softcover editions exist, though the primary version is in English; both are often interchangeable in market value.
Content Highlights
	•	Global coverage: Designs, artworks, and architecture from Europe and the U.S., highlighting figures like Horta, Guimard, Tiffany, Gallé, Beardsley, Mucha, Klimt, and Mackintosh  .
	•	Thematic insights: Essays explore influence from natural forms, Japanese design, technological advances, and the movement’s sociocultural resonance (e.g., mythological, scientific, urban)  .
	•	Academic strength: Written by specialists—serves both as museum catalogue and scholarly resource.

3.Rene Lalique Bijoux d’exception 1890-1912, Skira, Musée Luxembourg, Yvonne Brunhammer, 2007, 282 pages Hardback in French 

Overview & Context
This exquisite monograph accompanied the celebrated Lalique retrospective at the Musée du Luxembourg in 2007, curated by Yvonne Brunhammer, former chief curator at the Musée des Arts Décoratifs in Paris. It is regarded as one of the most scholarly and visually compelling catalogues ever published on René Lalique’s jewelry masterpieces from the Art Nouveau period (1890–1912).
Lalique is widely considered the most imaginative and technically daring jeweler of his time—revolutionizing decorative arts by embracing natural forms, symbolist themes, and avant-garde materials such as glass, horn, enamel, and semi-precious stones.
Content Highlights
1. Essays & Scholarly Commentary
The book opens with in-depth texts by Yvonne Brunhammer and other leading experts in fin-de-siècle French art, exploring:
	•	Lalique’s biography and early influences
	•	His transition from traditional jewelry to symbolist expression
	•	His use of literary, mythological, and botanical motifs
	•	Technical mastery in unconventional materials
The writing positions Lalique not merely as a craftsman, but as a pioneer of modern jewelry and a central figure in the Art Nouveau movement.
2. Illustrated Catalogue Raisonné
	•	Over 150 works—including brooches, combs, necklaces, tiaras, and pendants
	•	All pieces meticulously catalogued and beautifully photographed in high resolution
	•	Includes close-up shots of details and hallmarks, with descriptions of materials, provenance, and exhibition history
Each jewel is presented as a unique piece of sculpture, showcasing Lalique’s extraordinary synthesis of nature, fantasy, and sensuality.
3. Exhibition Chronology and Archival Materials
	•	Includes documents from Lalique’s workshop
	•	Drawings, sketches, and preparatory designs
	•	Excerpts from contemporary critical reviews and 1900 Exposition Universelle materials
Visual Appeal
	•	Full-page color plates on matte art paper
	•	Fine design balance between image and text
	•	Exceptional reproductions of fragile materials like horn, enamel, and opal
This book functions equally as an academic resource and a collector’s object, offering a multi-sensory experience of Lalique’s genius.
About the Author: Yvonne Brunhammer
A leading authority on Art Nouveau and Art Deco, Brunhammer served as chief curator of decorative arts in Paris and authored several monographs on 20th-century French design. Her perspective gives the book a rigorous scholarly foundation, while remaining accessible to jewelry enthusiasts and collectors.
Recommended For
	•	Jewelry historians
	•	Collectors of Art Nouveau and decorative arts
	•	Museum professionals and students of design history
	•	Fans of René Lalique’s broader legacy in glass and perfume bottles

4.	Maîtres Joailliers À Kenneth Snowman, Thames & Hudson 2002, 262 pages Softcover in French 

Overview
This beautifully illustrated volume explores the rise of the “master jewelers” in Western Europe from the mid-19th century onwards. It showcases how leading designers—such as Castellani, Fabergé, Lalique, Cartier, Boucheron, Tiffany, Bulgari, Van Cleef & Arpels, Verdura, and others—elevated jewelry from utilitarian adornment to artistic expression.
Key Themes:
	•	Craftsmanship Meets Creativity: Examines how jewelers began promoting their individual signatures, drawing on nostalgia, natural forms, geometric purity, and innovative materials.
	•	Biographical Essays: Each chapter presents an in-depth look at a different house, tracing its founder’s inspirations and contributions.
	•	Cultural and Technological Context: Discusses how societal changes—industrialization, exhibitions, new materials—reshaped jewelry design and consumption.
Highlights:
	•	377 illustrations (251 in color) showcasing brooches, necklaces, tiaras, and objets d’art
	•	Detailed descriptions of materials: gold, silver, platinum, gemstones, enamel, horn, and cameo
	•	Emphasis on design motifs: from Etruscan revival to floral Art Nouveau and sleek Art Deco lines
	•	Role of expositions and commercial innovation in popularizing jewellers’ creations
Author Background
A. Kenneth Snowman (1919–2002), former chairman of Wartski and a renowned jeweler, offers authoritative scholarship rooted in both a collector’s eye and historical research     
Final Summary
	•	Ideal for: French-speaking jewelry scholars, collectors, art-lovers, and students of 19th–20th century design
	•	Standout features: Rich visual catalog, expert commentary, and broad coverage of major jewelers

5..Artistic Luxury Faberge, Tiffany, Lalique CMA Yale, Stephen Harrison, Emmanuel Duchamp and Jeannine Falino 2008, 358 pages Hardback in English 
 
This lavish exhibition catalogue documents the 2008–09 showcase of Fabergé, Tiffany, and Lalique works—reunited for possibly the most opulent display since their joint appearance at the 1900 Paris Exposition Universelle   .
Featured Gems:
	•	Fabergé: Imperial eggs and intricate object d’art
	•	Tiffany: Glassware and haute-deco domestic objects
	•	Lalique: Signature Art Nouveau jewelry and decorative pieces
The book brings together four thought-provoking essays:
	1.	“Artistic Luxury in the Belle Époque” – Setting the social and cultural context (Stephen Harrison)
	2.	French Art Nouveau and Lalique (Emmanuel Ducamp)
	3.	Russian Fabergé and market competitors (Ducamp & Wilfried Zeisler)
	4.	American Tiffany and its cultural aesthetic (Jeannine Falino)   
Complemented by more than 480 illustrations—including 408 in color—the volume recreates the opulence of the 1900 fair, complete with period photography, exhibition scenes, and portraits of the elite patrons .
Final Take
A richly illustrated, scholarly catalogue—ideal for jewelry enthusiasts, museum professionals, and collectors. It offers deep insights into three iconic makers through historical essays and luxurious visuals. 


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