E. Pérez Lezcano - “Planos de una presencia múltiple” XL ( No Reserve)

The work 'Planes of a Multiple Presence' presents itself as an exercise in pictorial construction where the figure ceases to be a unity to become a system. The body does not appear as a closed form but as a sum of planes that coexist, overlap, and tension among themselves, generating a fragmented yet profoundly active presence.

The work is conceived as a study and dialogue with the painting of Mario Carreño (1913–1999), especially with his way of articulating the human figure through a modern synthesis, inheriting from Cubism and Latin American muralism. Carreño's structural solidity, symbolic frontalism, and the use of color as a constructive rather than descriptive element are emphasized.

Here, each figure seems to occupy its own spatial field, but at the same time participates in a common composition. The chromatic planes do not seek volume or traditional depth, but rather aim to establish relationships: balance, opposition, contact. The line functions as a boundary and as a link, marking an internal architecture that supports the scene.

The multiplicity alluded to in the title is not only formal but also conceptual. Presence unfolds: it is body, it is gesture, it is space. The viewer does not face a closed narrative but a constellation of forms that suggest encounter, distance, and coexistence.

From a contemporary reading, the work transforms modern heritage into a current language, where fragmentation does not imply rupture but rather complexity. Levels of a multiple presence thus affirm a painting conscious of its tradition, but fully situated in the present.
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