Archie Gittes (1903-1991) - NO RESERVE - Landscape





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NO RESERVE - Landscape, a 1930s charcoal drawing by Archie Gittes (1903–1991), on paper, España, signed, original edition, framed, 51 × 41 cm framed, weight 2 kg, in good condition.
Description from the seller
Technical sheet
Author: Archie Gittes (1903–1991)
Title: Landscape
Signed and dated in 1932
Technique: Drawing in greasy pencil and sanguine on paper.
Support: Cream-toned laid paper.
Measurements: 22 × 27 cm (artwork) · 41 × 51 cm (with frame)
Style: Poetic realism – Lyrical landscape painting
Painting school: modern European school, French environment.
Condition: Good, with a natural patina of time.
Original frame made of solid wood, with a straight and sober molding, featuring a neutral conservation mat.
2. Compositional and iconographic description
The work depicts an intimate rural landscape, structured through a succession of stylized trees framing a low and almost evanescent architecture in the background. The composition is horizontal and balanced, with an organic foreground of schematic vegetation guiding the eye toward the horizon.
The drawing is resolved with a loose, vibrant, and atmospheric stroke, where the line does not delimit but suggests volumes and natural rhythms.
The use of sanguine adds warmth and a meditative character, reinforcing the sense of silence and contemplation. There are no human figures: the focus is on the poetry of the landscape and its emotional resonance.
3. Style, School, and Comparative Valuation
This work clearly belongs to a poetic realism of French origin, close to the sensibility of artists such as Camille Corot, Charles-François Daubigny, or, in a modern key, certain intimate landscapes by Maurice Utrillo and Albert Marquet. The economy of means, the primacy of the environment, and the absence of narrative anecdote reinforce its lyrical character.
Archie Gittes demonstrates early maturity here, mastering drawing as an expressive tool rather than a descriptive one.
It is a refined work, consistent with the collector's taste for European drawings from the first third of the 20th century, especially those that combine modern sensitivity and landscape tradition.
An elegant, silent piece, and very well contextualized within its era.
Seller's Story
Technical sheet
Author: Archie Gittes (1903–1991)
Title: Landscape
Signed and dated in 1932
Technique: Drawing in greasy pencil and sanguine on paper.
Support: Cream-toned laid paper.
Measurements: 22 × 27 cm (artwork) · 41 × 51 cm (with frame)
Style: Poetic realism – Lyrical landscape painting
Painting school: modern European school, French environment.
Condition: Good, with a natural patina of time.
Original frame made of solid wood, with a straight and sober molding, featuring a neutral conservation mat.
2. Compositional and iconographic description
The work depicts an intimate rural landscape, structured through a succession of stylized trees framing a low and almost evanescent architecture in the background. The composition is horizontal and balanced, with an organic foreground of schematic vegetation guiding the eye toward the horizon.
The drawing is resolved with a loose, vibrant, and atmospheric stroke, where the line does not delimit but suggests volumes and natural rhythms.
The use of sanguine adds warmth and a meditative character, reinforcing the sense of silence and contemplation. There are no human figures: the focus is on the poetry of the landscape and its emotional resonance.
3. Style, School, and Comparative Valuation
This work clearly belongs to a poetic realism of French origin, close to the sensibility of artists such as Camille Corot, Charles-François Daubigny, or, in a modern key, certain intimate landscapes by Maurice Utrillo and Albert Marquet. The economy of means, the primacy of the environment, and the absence of narrative anecdote reinforce its lyrical character.
Archie Gittes demonstrates early maturity here, mastering drawing as an expressive tool rather than a descriptive one.
It is a refined work, consistent with the collector's taste for European drawings from the first third of the 20th century, especially those that combine modern sensitivity and landscape tradition.
An elegant, silent piece, and very well contextualized within its era.

