E. Pérez Lezcano - “Arquitectura del gesto” XL (No Reserve)

In gesture architecture, the human figure is conceived as a construction: not an organic body, but a structure built from planes, sections, and chromatic tensions. The gesture—minimal, contained—becomes the axis that organizes the composition, as if each fragment responded to an internal logic of balance and resistance.

From a contemporary cubist reading, the work deconstructs the figure to reveal its framework. There is no intention to describe volume or reproduce a recognizable anatomy; what is constructed here is a system. The face, the body, and space merge into a pictorial architecture where each plane serves a specific function within the whole.

Color acts as a structural material. Intense contrasts do not aim for narrative drama but to support the visual rhythm of the work. The forms overlap without obvious hierarchy, creating a sense of simultaneity: multiple points of view coexisting in the same pictorial time.

Gesture architecture thus proposes a reflection on presence through fragmentation. The gesture is neither explained nor amplified; it is built. Painting affirms itself as a space where the figure is not represented but constructed, plane by plane, as a form of visual thought.

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