Cosmin Marian Guta (1994) - “Arcul Zeilor” - XXL






Holds a master’s in art and culture mediation with extensive gallery assistant experience.
| €700 | ||
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| €600 | ||
| €120 | ||
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Cosmin Marian Guta presents the original 2025 mixed media on canvas titled “Arcul Zeilor” in multicolour contemporary style, 160 × 80 cm, signed by hand and in excellent condition.
Description from the seller
The Arc of the Gods
•Artist: Cosmin Marian Guta
Year: 2025
Mixed media on canvas, pastels, ink, oil, and acrylic.
No content provided to translate.
Painting dimensions: 160x80 cm painting.
Total dimensions of the fabric: 170x90 cm (with approximately 3-4 cm of free space on each side for framing).
Shipping without frame
There is no content to translate.
• Style: Contemporary
Shipping: Packaging and packing in a cardboard tube.
Signed on the front of the fabric.
Note: Colors may vary slightly compared to the photographs.
The work is unique.
The work of art will be shipped in a cardboard tube, with a tracking number, via a well-known international courier company, such as FEDEX, UPS, or TNT.
Description
Under the arch of the gods, bodies are arranged like a hymn frozen in time. They do not pose: they officiate. Each muscle is an ancient syllable, each gesture a prayer spoken without voice. The invisible architecture that contains them is not stone but destiny, an arch that does not bear the weight of the world but reveals what is human when seen by the divine.
The light descends with ritual patience, caressing the flesh as if embracing it. The blue and violet cloths flow like signs of transit, marking the passage between earth and myth. Up high, a blue sphere, like a seed, concentrates the breath of the gods. A suspended promise, a knowledge still intact.
The figures are not seen, but are united by a sacred tension. They are choir and sacrifice, offering and oracle. In Arcul Zeilor, the body ceases to be a boundary and becomes language, and beauty is no longer ornament but law. Here, myth is not narrated: it is incarnated.
There is no content to translate.
Thank you for visiting my work, and please do not hesitate to contact me if you need any kind of information.
Biography
Cosmin Marian Guta (1994) studied at the Academy of Fine Arts of Rome until 2020, graduating with top honors. He completed an Erasmus program in Barcelona (EASD LLOTJA) and an 8-month internship at an art gallery (RocíoSantaCruz).
Instagram: CosminMarianGuta
gutartgallery@gmail.com
Web: gutartgallery.com
Personal Exhibitions
C.C.Cotxeres Sants - by Nuria Esterri, Barcelona (2024)
● C.C.Cotxeres Sants - edited by Jose Parra, Barcelona (2022)
● Rome Art Week, Fax Factory curated by Maria Teresa Rasulo, RAW2016,
Roma 2016
Collective Exhibitions
●Abartium, Calldetenes (Vic) by Eva Cunill, (2023)
● Artjove-Cotxeres Sants Casinet – edited by Jose Parra, Barcelona (2021)
Cristo-Scuderie Palazzo Chigi Albani - curated by Paolo Berti, Soriano nel.
Cimino (2019)
Gessi Room at the Andersen Museum (workshop), curated by Gian Luigi.
Cappelletti and Alessandro Dolfi, Rome (2019)
Towards a Lighthouse, edited by Antonio Giordano, Floriana Celani, and
di Maria Pennacchia at Forte Stella, in Monte Argentario.
Tuscany (2019)
● Tiny Biennale 2018 – Temple University Rome – curated by Shara
Wasermann, Rome. (2018)
International LIMEN ARTE Award, 9th edition, Vibo Valencia
(2017).
● Aula Colleoni, Rome Academy of Fine Arts, 2017.
● Tiny Biennale 2017 – Temple University Rome – curated by Shara
Wasermann, Rome (2017).
Pinacoteca Comunale Gaeta 'The void, between meaning and form' curated by
Antonio Lieto (2016).
● Festina Lente Sala Corner D MAXXI Rome (2016)
Latina Art Biennale (2016)
Seller's Story
The Arc of the Gods
•Artist: Cosmin Marian Guta
Year: 2025
Mixed media on canvas, pastels, ink, oil, and acrylic.
No content provided to translate.
Painting dimensions: 160x80 cm painting.
Total dimensions of the fabric: 170x90 cm (with approximately 3-4 cm of free space on each side for framing).
Shipping without frame
There is no content to translate.
• Style: Contemporary
Shipping: Packaging and packing in a cardboard tube.
Signed on the front of the fabric.
Note: Colors may vary slightly compared to the photographs.
The work is unique.
The work of art will be shipped in a cardboard tube, with a tracking number, via a well-known international courier company, such as FEDEX, UPS, or TNT.
Description
Under the arch of the gods, bodies are arranged like a hymn frozen in time. They do not pose: they officiate. Each muscle is an ancient syllable, each gesture a prayer spoken without voice. The invisible architecture that contains them is not stone but destiny, an arch that does not bear the weight of the world but reveals what is human when seen by the divine.
The light descends with ritual patience, caressing the flesh as if embracing it. The blue and violet cloths flow like signs of transit, marking the passage between earth and myth. Up high, a blue sphere, like a seed, concentrates the breath of the gods. A suspended promise, a knowledge still intact.
The figures are not seen, but are united by a sacred tension. They are choir and sacrifice, offering and oracle. In Arcul Zeilor, the body ceases to be a boundary and becomes language, and beauty is no longer ornament but law. Here, myth is not narrated: it is incarnated.
There is no content to translate.
Thank you for visiting my work, and please do not hesitate to contact me if you need any kind of information.
Biography
Cosmin Marian Guta (1994) studied at the Academy of Fine Arts of Rome until 2020, graduating with top honors. He completed an Erasmus program in Barcelona (EASD LLOTJA) and an 8-month internship at an art gallery (RocíoSantaCruz).
Instagram: CosminMarianGuta
gutartgallery@gmail.com
Web: gutartgallery.com
Personal Exhibitions
C.C.Cotxeres Sants - by Nuria Esterri, Barcelona (2024)
● C.C.Cotxeres Sants - edited by Jose Parra, Barcelona (2022)
● Rome Art Week, Fax Factory curated by Maria Teresa Rasulo, RAW2016,
Roma 2016
Collective Exhibitions
●Abartium, Calldetenes (Vic) by Eva Cunill, (2023)
● Artjove-Cotxeres Sants Casinet – edited by Jose Parra, Barcelona (2021)
Cristo-Scuderie Palazzo Chigi Albani - curated by Paolo Berti, Soriano nel.
Cimino (2019)
Gessi Room at the Andersen Museum (workshop), curated by Gian Luigi.
Cappelletti and Alessandro Dolfi, Rome (2019)
Towards a Lighthouse, edited by Antonio Giordano, Floriana Celani, and
di Maria Pennacchia at Forte Stella, in Monte Argentario.
Tuscany (2019)
● Tiny Biennale 2018 – Temple University Rome – curated by Shara
Wasermann, Rome. (2018)
International LIMEN ARTE Award, 9th edition, Vibo Valencia
(2017).
● Aula Colleoni, Rome Academy of Fine Arts, 2017.
● Tiny Biennale 2017 – Temple University Rome – curated by Shara
Wasermann, Rome (2017).
Pinacoteca Comunale Gaeta 'The void, between meaning and form' curated by
Antonio Lieto (2016).
● Festina Lente Sala Corner D MAXXI Rome (2016)
Latina Art Biennale (2016)
