Karol Dusza (1972) - NO RESERVE PRICE = 167cm - The Pierrott Large, 12kg





| €162 | ||
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| €152 | ||
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Karol Dusza, NO RESERVE PRICE = 167cm - The Pierrott Large, 12kg, a unique sculpture in wood and steel, 167 cm high, 30 cm wide and 22 cm deep, signed by the artist, dated 2025, in excellent condition and suitable for garden display.
Description from the seller
The sculpture was delivered directly by the Polish artist - Karol Dusza. After proper protection, it can also stand in the garden.
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Karol Dusza was born in Bytom (Poland) in 1972.
He made his debut in 2000 with a successful exhibition at the Gallery of Siedlce and Podlasie Artists in the Ogiński Palace in Siedlce. He creates works in the convention of symbolic, allegorical and abstract art. Sculptures of human figures are intriguing, such as: the allegory of the unity of a woman and a man (two branches growing from one trunk entwined in an embrace) or the symbolically shown eternal charm of femininity in its seductive shapes, both subtle and overly emphasized. The figures are deformed as if warped by life, symbolically twisted. Noteworthy are the monumental sculptures, almost perfect for placing in the garden in front of the house. The artist is able to extract the "soul" from the material - its shape, grain arrangement, resistance and even color by selecting the appropriate preservatives. No wonder that all of his sculptures are highly expressive.
The sculpture was delivered directly by the Polish artist - Karol Dusza. After proper protection, it can also stand in the garden.
_____
Karol Dusza was born in Bytom (Poland) in 1972.
He made his debut in 2000 with a successful exhibition at the Gallery of Siedlce and Podlasie Artists in the Ogiński Palace in Siedlce. He creates works in the convention of symbolic, allegorical and abstract art. Sculptures of human figures are intriguing, such as: the allegory of the unity of a woman and a man (two branches growing from one trunk entwined in an embrace) or the symbolically shown eternal charm of femininity in its seductive shapes, both subtle and overly emphasized. The figures are deformed as if warped by life, symbolically twisted. Noteworthy are the monumental sculptures, almost perfect for placing in the garden in front of the house. The artist is able to extract the "soul" from the material - its shape, grain arrangement, resistance and even color by selecting the appropriate preservatives. No wonder that all of his sculptures are highly expressive.

