Albert Malet (1905-1986) - Vieux pont de Bellac, Haute Vienne





| €980 | ||
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| €830 | ||
| €730 | ||
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Vieux pont de Bellac, Haute Vienne, an original oil on canvas landscape by Albert Malet (1905-1986) from 1940–1950, France, in post-impressionist style, signed by hand and sold with frame, with dimensions 76 × 96 cm (frame included).
Description from the seller
Albert Malet (1905-1986)
Old Bridge of Bellac, Haute Vienne
Oil on canvas
Painting dimensions: 54 x 65 cm
Signed at the bottom left.
In very good condition.
Handsome with chapped lips. Free
Dimensions with frame: 67 x 87 cm
Original artwork delivered with invoice and certificate of authenticity.
Fast, careful, and insured shipping.
Buy with confidence!
Born in Bosc-le-Hard in Normandy, Albert Malet is an emblematic figure of the School of Rouen. A student of the Impressionist painter Robert Antoine Pinchon, he began his artistic career in 1931 and exhibited as early as 1942 at the French School Salon at the Palais de Tokyo. Deeply attached to his native region, he sensitively paints Normandy landscapes, the banks of the Seine, and the changing atmospheres of the seasons. His work is distinguished by a subtle mastery of light and a nuanced palette, inherited from the Impressionist tradition. A schoolteacher in Claville-Motteville from 1947 to 1960, he remains faithful to his roots while actively participating in the local art scene. Knight of the Palmes académiques, he is today recognized as one of the great interpreters of pictorial Normandy.
Seller's Story
Albert Malet (1905-1986)
Old Bridge of Bellac, Haute Vienne
Oil on canvas
Painting dimensions: 54 x 65 cm
Signed at the bottom left.
In very good condition.
Handsome with chapped lips. Free
Dimensions with frame: 67 x 87 cm
Original artwork delivered with invoice and certificate of authenticity.
Fast, careful, and insured shipping.
Buy with confidence!
Born in Bosc-le-Hard in Normandy, Albert Malet is an emblematic figure of the School of Rouen. A student of the Impressionist painter Robert Antoine Pinchon, he began his artistic career in 1931 and exhibited as early as 1942 at the French School Salon at the Palais de Tokyo. Deeply attached to his native region, he sensitively paints Normandy landscapes, the banks of the Seine, and the changing atmospheres of the seasons. His work is distinguished by a subtle mastery of light and a nuanced palette, inherited from the Impressionist tradition. A schoolteacher in Claville-Motteville from 1947 to 1960, he remains faithful to his roots while actively participating in the local art scene. Knight of the Palmes académiques, he is today recognized as one of the great interpreters of pictorial Normandy.

