Raymond Pettibon (1957) - No Title (The raised hands...), 2013





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No Title (The raised hands...), 2013 by Raymond Pettibon, an acrylic painting in a surrealist style from the 1990s, part of a limited edition of 250, measuring 81 cm by 20 cm and weighing 150 g, produced in Canada, unsigned, in excellent condition.
Description from the seller
In this second collaboration with Raymond Pettibon, THE SKATEROOM explores the artist’s baseball-themed works to release two limited editions of 250: No Title (The raised hands…), 2013, and No Title (Boston Brave), 2017. Through these visuals, viewers witness Pettibon's ability to narrow motion down to a single moment frozen in time.
The present work depicts the baseball player, Warren Spahn, in the middle of throwing a left-handed pitch. The image illustrates Pettibon's fascination with the visual language of this archetypal American sport, which is a common theme in his work. As Raymond explains, 'to draw someone with a wetsuit or a tight, double-knit baseball outfit doesn't lend itself to what I'm looking to describe. It's just one snapshot; I'm trying to depict something that is an action. If you draw a baseball player, for instance, with the old-time baggy flannels, you can depict the action better than you can with something that looks painted on to his body. [...] But it's also meant to go back in time to when baseball had a more of a larger-than-life epic quality.'
In this second collaboration with Raymond Pettibon, THE SKATEROOM explores the artist’s baseball-themed works to release two limited editions of 250: No Title (The raised hands…), 2013, and No Title (Boston Brave), 2017. Through these visuals, viewers witness Pettibon's ability to narrow motion down to a single moment frozen in time.
The present work depicts the baseball player, Warren Spahn, in the middle of throwing a left-handed pitch. The image illustrates Pettibon's fascination with the visual language of this archetypal American sport, which is a common theme in his work. As Raymond explains, 'to draw someone with a wetsuit or a tight, double-knit baseball outfit doesn't lend itself to what I'm looking to describe. It's just one snapshot; I'm trying to depict something that is an action. If you draw a baseball player, for instance, with the old-time baggy flannels, you can depict the action better than you can with something that looks painted on to his body. [...] But it's also meant to go back in time to when baseball had a more of a larger-than-life epic quality.'

