Michael Joseph (1941-) - East end blonde bartender

04
days
14
hours
23
minutes
40
seconds
Current bid
€ 37
No reserve price
Kai Brückner
Expert
Selected by Kai Brückner

Over 35 years' experience; former gallery owner and Museum Folkwang curator.

Estimate  € 500 - € 600
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nlBidder 0972 €37
frBidder 8070 €31
nlBidder 0972 €26

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Description from the seller

East End Blonde Bartender — London
Photograph taken in the early–mid 1960s (circa 1962–1966)
Original darkroom print by Michael Joseph

This photograph captures what Michael Joseph did best: stepping quietly into a real place and letting life arrange itself—while knowing precisely when to press the shutter.

Taken behind the bar of an East End pub, the image holds a fleeting human exchange: a bartender mid-pour, mid-smile, surrounded by the dense choreography of pumps, bottles, mirrors, and glass. The composition is rich but unforced. A diagonal bar line pulls the eye inward, the hand on the tap anchors the frame, and the subject’s direct, knowing gaze collapses the distance between photographer and moment.

There is humour here, and confidence. Glamour slips easily into the everyday; performance hides in plain sight. Joseph was acutely sensitive to these social crossings, where character, setting, and gesture briefly align. The result is an image that feels spontaneous yet perfectly held—part documentary, part quiet theatre.

The dating is reinforced by the visual language of the scene itself: period whisky and gin branding, ceramic beer-pump handles, mirror-backed shelving, and the absence of later corporate pub fittings all firmly situate the photograph in the early to mid 1960s, before widespread pub modernisation and brand standardisation later in the decade.

Michael Joseph’s devotion to the darkroom is fully present. This is a hand-made analogue print, developed by the photographer himself, where contrast and grain are carefully judged rather than smoothed away. The blacks are deep without closing; highlights are held just long enough to preserve atmosphere. Subtle surface irregularities and tonal shifts speak to a print that has been handled, assessed, and returned to—not rushed through an enlarger, but worked until it felt alive.

The print is hand-signed in pencil by Joseph on the border and titled in his own hand, reinforcing its status as an original darkroom object rather than a later reproduction. No edition is known. This is a singular vintage print from the period.

Details

Vintage analogue darkroom print

Photograph taken in the early–mid 1960s

Hand-developed by the photographer

Hand-signed and titled by Michael Joseph

Unique print; no edition

Authentic signs of age and darkroom handling

Image dimensions: 24 cm × 24 cm

Mount dimensions: 30 cm wide × 40 cm high

The work will be dispatched flat and carefully protected. I package and send these one-off historical photographs with real care and respect—they are handled as irreplaceable objects, not commodities.

A quietly powerful example of Michael Joseph’s documentary eye and darkroom discipline: intimate, grounded, and entirely of its time—yet still alive with charm, wit, and human presence.

US purchasers please note: customs and excise charges are paid at source, and an allowance for this has been included in the postage fee. You should not be asked to pay anything further on delivery, unless current regulations change. Thank you for your understanding.

Seller's Story

My father, Michael Joseph, was an advertising photographer based in London from the mid-sixties to the early nineties. During that time, he created some truly remarkable work — his most famous moment being the Beggars Banquet gatefold for the Rolling Stones. My ongoing mission is to share and celebrate what we call 'the other photos' — the lesser-known but equally captivating pieces from his archive. Within this collection, you'll find a mix of test prints, images from specific photo shoots, and more personal works, all created with his characteristic passion and devotion. Many of these images owe their atmosphere to the magic of the darkroom: intricate group scenes, striking still lifes, and moments that draw the viewer in and stir emotion. Variety is key - and I often offer unique, one-off pieces. I hope you enjoy discovering my father’s work, and I look forward to sending you a genuine piece of photographic history.
Translated by Google Translate

East End Blonde Bartender — London
Photograph taken in the early–mid 1960s (circa 1962–1966)
Original darkroom print by Michael Joseph

This photograph captures what Michael Joseph did best: stepping quietly into a real place and letting life arrange itself—while knowing precisely when to press the shutter.

Taken behind the bar of an East End pub, the image holds a fleeting human exchange: a bartender mid-pour, mid-smile, surrounded by the dense choreography of pumps, bottles, mirrors, and glass. The composition is rich but unforced. A diagonal bar line pulls the eye inward, the hand on the tap anchors the frame, and the subject’s direct, knowing gaze collapses the distance between photographer and moment.

There is humour here, and confidence. Glamour slips easily into the everyday; performance hides in plain sight. Joseph was acutely sensitive to these social crossings, where character, setting, and gesture briefly align. The result is an image that feels spontaneous yet perfectly held—part documentary, part quiet theatre.

The dating is reinforced by the visual language of the scene itself: period whisky and gin branding, ceramic beer-pump handles, mirror-backed shelving, and the absence of later corporate pub fittings all firmly situate the photograph in the early to mid 1960s, before widespread pub modernisation and brand standardisation later in the decade.

Michael Joseph’s devotion to the darkroom is fully present. This is a hand-made analogue print, developed by the photographer himself, where contrast and grain are carefully judged rather than smoothed away. The blacks are deep without closing; highlights are held just long enough to preserve atmosphere. Subtle surface irregularities and tonal shifts speak to a print that has been handled, assessed, and returned to—not rushed through an enlarger, but worked until it felt alive.

The print is hand-signed in pencil by Joseph on the border and titled in his own hand, reinforcing its status as an original darkroom object rather than a later reproduction. No edition is known. This is a singular vintage print from the period.

Details

Vintage analogue darkroom print

Photograph taken in the early–mid 1960s

Hand-developed by the photographer

Hand-signed and titled by Michael Joseph

Unique print; no edition

Authentic signs of age and darkroom handling

Image dimensions: 24 cm × 24 cm

Mount dimensions: 30 cm wide × 40 cm high

The work will be dispatched flat and carefully protected. I package and send these one-off historical photographs with real care and respect—they are handled as irreplaceable objects, not commodities.

A quietly powerful example of Michael Joseph’s documentary eye and darkroom discipline: intimate, grounded, and entirely of its time—yet still alive with charm, wit, and human presence.

US purchasers please note: customs and excise charges are paid at source, and an allowance for this has been included in the postage fee. You should not be asked to pay anything further on delivery, unless current regulations change. Thank you for your understanding.

Seller's Story

My father, Michael Joseph, was an advertising photographer based in London from the mid-sixties to the early nineties. During that time, he created some truly remarkable work — his most famous moment being the Beggars Banquet gatefold for the Rolling Stones. My ongoing mission is to share and celebrate what we call 'the other photos' — the lesser-known but equally captivating pieces from his archive. Within this collection, you'll find a mix of test prints, images from specific photo shoots, and more personal works, all created with his characteristic passion and devotion. Many of these images owe their atmosphere to the magic of the darkroom: intricate group scenes, striking still lifes, and moments that draw the viewer in and stir emotion. Variety is key - and I often offer unique, one-off pieces. I hope you enjoy discovering my father’s work, and I look forward to sending you a genuine piece of photographic history.
Translated by Google Translate

Details

Date of print
1966
Artist
Michael Joseph (1941-)
Sold by
Owner or reseller
Title of artwork
East end blonde bartender
Condition
Fine
Technique
Gelatin-silver print
Height
24.5 cm
Edition
Unique vintage print from the sixties
Width
24 cm
Signature
Signed
Genre
Portrait
FranceVerified
371
Objects sold
100%
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