Bruno Giunta (XX) - Scorcio Veneziano

Author

Bruno Giunta (XX) was an Italian painter. An active artist in the Venetian context during the first half of the twentieth century, his artistic career is intertwined with the most prominent exhibition institutions of the lagoon city. Although details about his birth and education remain fragmentary, his presence is historically documented within the cultural fabric of the Triveneto during the difficult years of the Second World War.

The central moment of his notable activity dates back to the 1940s. In 1943, Giunta exhibited at the Fourth Interprovincial Triveneta Trade Union Exhibition, and in 1944 he participated in the Bevilacqua La Masa Exhibition in Venice. At that time, this institution represented the essential testing ground for young artists, often serving as a prelude to the Biennale and welcoming the most promising voices of Italian painting. He was a figurative artist deeply influenced by the experience of the Scuola di Burano.

Description

"Venetian View", oil on panel, 43.5*35.5cm with frame, 25*17cm for the panel alone, signed at the bottom right, datable to the 1940s.

The work depicts a silent canal framed by historic architectures that seem to vibrate under the light. In the foreground, a small moored boat guides the eye toward the depth of the composition, where the verticality of the buildings is softened by a leafy canopy extending over the water. The brushwork, free, thick, and markedly tactile, avoids the precision of academic detail to favor an atmospheric and evocative rendering. Flickering reflections on the canal's surface and the clothes hung out to dry, rendered with quick and decisive white patches, give the scene a sense of suspended everyday life, transforming an urban view into a fragment of visual poetry.

From a chromatic perspective, the artist orchestrates a skillful balance between the warm tones of the earth and ochre hues that define the facades and the vibrant green of the vegetation, all harmonized by the silvery and plum shades of the water. This pursuit of a formal synthesis based on the primacy of color reveals the profound influence of the Scuola di Burano, evident in the ability to transfigure reality through a luministic sensitivity almost impressionist. Embedded in the vibrant cultural climate of Venice in the 1940s, Giunta confirms itself as a sensitive interpreter of the lagoon tradition, capable of combining the rigor of figurative painting with an expressive immediacy typical of Italian Twentieth Century art. A painting of fresh composition and pleasing aesthetic impact.

Condition Report

The overall condition is excellent. The work is intact in every part, with vivid and well-readable colors and brushstrokes. The frame is to be considered complimentary.

Tracked and insured shipment with adequate packaging.