Giuseppe "Bepi" Marino ((1916-1975) - Veduta di Venezia con gondole

Giuseppe 'Bepi' Marino (Venice 1903 or 1916 - 1975)

View of Venice with gondolas

Oil on canvas

Black firm in the bottom left.

Frame measurements: 66 x 86 cm
Canvas: 50 x 70 cm

Ideal watch for collecting and investing.

Giuseppe Marino studied at the Academy of Fine Arts of Venice and was immediately noticed by his teachers for an exceptional artistic temperament, made up of intuitions, rare tonal skill, and technical dexterity.
Leaving the school environment, the young artist faced the scrutiny of the public and critics with increasingly developed personality, through his first solo exhibitions, group shows, and ultimately high-level collective exhibitions.
Her inspiring muse was her city, VENICE, which she painted as contemplative and thoughtful with a refined and melancholic sensitivity.
This artist brought twentieth-century tonalism into the post-war period, conveyed through a vibrant brushstroke rooted in Post-Impressionism.
Without worrying about updating his pictorial language to neocubist and neosurrealist forms (which were already outdated in the 1950s), he interprets reality simply by relying on the tools of his craft, which he masters without hesitation.
Critics, collectors, and art enthusiasts have always admired Marino for the clear transparency of his skies and waters in his views of Venice.

Author sought after by collectors and considered one of the most famous and illustrious 'Venezianisti' of the 20th century.

One of the most beautiful works by the painter, with gondolas in the foreground immersed in the transparency of the waters and Piazza San Marco in the background.

In the photos, a completely similar work is shown that achieved an important auction result in 2024.

Insured shipment

Authentic piece and in good condition.

The frame shown in the photos, a 1950s frame of the painting, is provided at no additional cost so that the artwork can be displayed immediately upon arrival.
This is included as a courtesy and is not considered part of the artwork.
Therefore, any potential damage to the frame that does not affect the work of art itself shall not constitute valid grounds for opening a claim or requesting the cancellation of the order.