Luigi Rossanigo (1948) - Presenze






Specialises in works on paper and (New) School of Paris artists. Former gallery owner.
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Luigi Rossanigo, Presenze, mixed media on metal, edition limited 1/1 PdA, 2012, blue, sold with frame, framed size 32 × 23 cm, Italy, signed by hand, good condition.
Description from the seller
I inform you that during the holiday period, deliveries may experience delays due to the increase in workload for couriers.
The proposed artwork is a metal plate with embossed embossing (handmade embossing) artist's proof numbered 1/1, measuring 30x21 cm, painted in blue and white - signed on the plate - with a frame measuring 32x23x2 cm - an artwork suitable for all types of furnishings.
The artwork will be carefully packed and shipped within 3 days with authentication on a photo signed by the artist — ready to hang or rest —.
Traceable and insured shipment — (unfortunately, the photos never do it justice).
For those who love 20th century innovations improved in technique in the 2000s - an intriguing and innovative work - not to be missed
…in the slow and steady unfolding of his research, Luigi Rossanigo followed a unique artistic path, characterized by varied experimentation in different disciplines. From his early pictorial experiences, in which the subject was treated with direct reference to reality, the artist, in the first half of the 1970s, gradually moved towards an abstract conception of form, synthesized in rapid and direct gestures. This informal interlude naturally evolved into a surrealism experienced with a highly personal, introspective intention, amidst abnormal mystifications of reality, noted with the precision of an eighteenth-century traveler. Simultaneously cultivating a love for the precious goldsmith's art and drawing closer to the sculptural milieu of Carrara, the multi-talented artist felt the need to experiment with the volumetric definition of the marble block, transferring to it the three-dimensional interpretation of the work already imagined for the golden jewel. This process led Rossanigo to modify the structural layout of the painting, moving towards the creation of tensile structures and multi-material composites, a new dialectic in which the agreement between painting and sculpture took shape....
I inform you that during the holiday period, deliveries may experience delays due to the increase in workload for couriers.
The proposed artwork is a metal plate with embossed embossing (handmade embossing) artist's proof numbered 1/1, measuring 30x21 cm, painted in blue and white - signed on the plate - with a frame measuring 32x23x2 cm - an artwork suitable for all types of furnishings.
The artwork will be carefully packed and shipped within 3 days with authentication on a photo signed by the artist — ready to hang or rest —.
Traceable and insured shipment — (unfortunately, the photos never do it justice).
For those who love 20th century innovations improved in technique in the 2000s - an intriguing and innovative work - not to be missed
…in the slow and steady unfolding of his research, Luigi Rossanigo followed a unique artistic path, characterized by varied experimentation in different disciplines. From his early pictorial experiences, in which the subject was treated with direct reference to reality, the artist, in the first half of the 1970s, gradually moved towards an abstract conception of form, synthesized in rapid and direct gestures. This informal interlude naturally evolved into a surrealism experienced with a highly personal, introspective intention, amidst abnormal mystifications of reality, noted with the precision of an eighteenth-century traveler. Simultaneously cultivating a love for the precious goldsmith's art and drawing closer to the sculptural milieu of Carrara, the multi-talented artist felt the need to experiment with the volumetric definition of the marble block, transferring to it the three-dimensional interpretation of the work already imagined for the golden jewel. This process led Rossanigo to modify the structural layout of the painting, moving towards the creation of tensile structures and multi-material composites, a new dialectic in which the agreement between painting and sculpture took shape....
