Jinks Kunst - Bob - Malagacy banknote

"Bob" was created using hand-cut stencils. It is painted on three genuine banknotes.

Each artwork is provided with a certificate of authenticity, ensuring its provenance and authenticity.

Don't miss this opportunity to acquire a unique piece!

You can find my creations in the streets of more than 40 countries (Mali, Turkey, Morocco, Thailand, Iraq, Nepal...).

Artist listed on Artsper and Artprice.

You can discover on my Facebook page a map that geolocates my creations in over 30 countries.

I particularly like the work of Jef Aérosol, Fin Dac, Invader, Goin, Icy & Sot, Miss Van, Fafi, Logan Hicks, Speedy Graphito, Dan Kitchener, JonOne, Kaws, Blek the Rat, Shepard Fairey / Obey, Dran, Trust.Icon, Dondi, Basquiat...

IMPORTANT: The items are shipped carefully, with insurance. Upon receiving the package, please check if everything is intact. If not, refuse the package. Otherwise, I will not be able to process the insurance. If you do not, there is a risk that I will not be able to do anything in case of a dispute. It will be your responsibility.

Biography
Jinks Kunst is a French-Swiss urban artist born in 1976. He lives and works in Nantes.

His adolescence was marked by hip-hop culture and skateboarding. Magazines, fanzines, and record covers led him to discover graffiti and illustrations by artists like Lazoo and Mode 2.

He first experimented with graffiti lettering, then in 2006, he ventured into stenciling. It was a true revelation and a consuming passion that never left him. All these works are handmade. Armed with a cutter, he meticulously carves out life-sized pieces for hours.

In January 2008, he began diverting traffic signs in Nantes, then around the world. Intervening in streets across the globe is a necessity for Jinks Kunst. His creations are visible in over 30 countries.

These trips are always an opportunity for long walks to discover the right walls, the right signs. They are rich in encounters with local populations. For Jinks Kunst, urban art is a way to create connections with the inhabitants of the countries he explores, to engage in activities (often volunteer-based) with audiences (slums, refugee camps, working-class neighborhoods, schools) who have little or no access to this form of cultural expression, notably by organizing stencil creation workshops.