Thomas Steyer - Ice Age Glimmer
07
days
07
hours
14
minutes
26
seconds
Starting bid
€ 1
No reserve price
Expert
Selected by Catherine Mikolajczak
Studied art history at Ecole du Louvre and specialised in contemporary art for over 25 years.
Gallery Estimate € 1,600 - € 2,000
No bids placed
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 124911 reviews
Rated Excellent on Trustpilot.
Thomas Steyer's original oil on canvas Ice Age Glimmer (2022) on a 120 × 80 cm canvas, depicting a blue‑white‑purple landscape, signed, in excellent condition, produced in Germany and sold directly by the artist.
AI-assisted summary
Description from the seller
Ice Age Glimmer
Technique: oil on canvas
Measurements
Canvas size: 120 × 80 cm (without stretcher frame)
Canvas size: 132 × 92 cm
Technology & Materials
oil on canvas
Executed with brushes
Shipping
Rolled, wrapped in bubble wrap, and securely shipped in a box.
Description
"Ice Age Glimmer" is a large-format oil painting characterized by a cool, almost frozen color palette. Bright blue, white, and gray tones dominate the space, creating a distant, icy atmosphere. In the lower half of the image, darker blue layers, gestural traces, and overlays converge into a complex structure that initially appears confusing. Only upon closer inspection can rhythmic repetitions be discerned, reminiscent of crystalline formations. A dark, compact area of color near the center lends weight and stability to the composition. In contrast, a small, luminous orange accent stands out clearly against the cold surroundings. It appears like a subtle glow within the cold, a quiet contrast that creates tension without disrupting the tranquility of the image.
Tom Steyer's sure hand and skilled brushwork at first deceive the viewer into thinking that something they know and recognize is being eloquently portrayed by a master realist artist.
If only one stands a little closer or further away, it will all become something.
The best way to identify what is going on in Steyer's paintings is to think of him as an Abstract Realist.
The current paintings showcase Steyer's uncanny ability to identify and organize his deepest nameless impulses, previewing them if you like, then faithfully realize them in paint, at speed.
Ted Blackall (2003)
About the artist – Summary
I am Thomas Steyer, born in 1955 in Berlin, and I received my artistic training in Berlin and London. After years in London and Sydney, I now work in the Markgräflerland south of Freiburg. My painting evolved from realism to abstract expressionism, in which I translate feelings, thoughts, and impressions directly into color and form. The works are created intuitively and provide viewers with space for their own sensations, often far beyond the visible.
About the artist – Detailed version
Thomas Steyer is a contemporary German painter whose artistic career has been characterized by a continuous development between precision and free imagery. During his art studies in London, he developed an early fascination with objects with reflective surfaces. Household and office items, kitchen utensils, and bicycle parts became central motifs in his oil painting.
After completing his studies, Steyer independently sought clients and developed an unusual sales model. He painted technically inspired objects such as ball bearings, radiator figures, or microphones and sold these works directly to manufacturers. At the same time, he contacted musicians he admired, borrowed their instruments, and created large-scale paintings of guitars. Some of these works were later used for album covers, including the image of Mark Knopfler's Steel Guitar for Dire Straits' album 'Brothers in Arms.'
In 1984, Steyer discovered the work with the airbrush through a chance encounter with the English illustrator Tom Stimpson. The new technique opened up new possibilities for him and led to a successful phase in advertising illustration, during which he distinguished himself particularly through photorealistic representations.
In 1989, Steyer moved to Australia after thirteen years in London and settled in Sydney. There, he continued working as an illustrator and freelance painter. Over time, both activities developed in different directions. While his illustrations became increasingly realistic, his free painting shifted more and more towards abstraction. Large, color-intensive works emerged as a conscious counterpoint to his precise, figurative commissioned work.
In 1995, Steyer began to engage intensively with digital image creation. He was among the first illustrators in Australia to switch their entire workflow to digital systems. This step enabled him to have an international focus in his work and a considerable independence from geographical boundaries.
After a total of 27 years abroad, Steyer returned to Germany in 2003 and settled in the Markgräflerland between Freiburg and Basel. He has lived and worked there ever since. The experiences from different countries, fields of work, and artistic phases influence his current painting and form the basis for a body of work that conveys a balance between structure and freedom, control and intuition.
You can find more insights at:
www.thomas-steyer.de
Ice Age Glimmer
Technique: oil on canvas
Measurements
Canvas size: 120 × 80 cm (without stretcher frame)
Canvas size: 132 × 92 cm
Technology & Materials
oil on canvas
Executed with brushes
Shipping
Rolled, wrapped in bubble wrap, and securely shipped in a box.
Description
"Ice Age Glimmer" is a large-format oil painting characterized by a cool, almost frozen color palette. Bright blue, white, and gray tones dominate the space, creating a distant, icy atmosphere. In the lower half of the image, darker blue layers, gestural traces, and overlays converge into a complex structure that initially appears confusing. Only upon closer inspection can rhythmic repetitions be discerned, reminiscent of crystalline formations. A dark, compact area of color near the center lends weight and stability to the composition. In contrast, a small, luminous orange accent stands out clearly against the cold surroundings. It appears like a subtle glow within the cold, a quiet contrast that creates tension without disrupting the tranquility of the image.
Tom Steyer's sure hand and skilled brushwork at first deceive the viewer into thinking that something they know and recognize is being eloquently portrayed by a master realist artist.
If only one stands a little closer or further away, it will all become something.
The best way to identify what is going on in Steyer's paintings is to think of him as an Abstract Realist.
The current paintings showcase Steyer's uncanny ability to identify and organize his deepest nameless impulses, previewing them if you like, then faithfully realize them in paint, at speed.
Ted Blackall (2003)
About the artist – Summary
I am Thomas Steyer, born in 1955 in Berlin, and I received my artistic training in Berlin and London. After years in London and Sydney, I now work in the Markgräflerland south of Freiburg. My painting evolved from realism to abstract expressionism, in which I translate feelings, thoughts, and impressions directly into color and form. The works are created intuitively and provide viewers with space for their own sensations, often far beyond the visible.
About the artist – Detailed version
Thomas Steyer is a contemporary German painter whose artistic career has been characterized by a continuous development between precision and free imagery. During his art studies in London, he developed an early fascination with objects with reflective surfaces. Household and office items, kitchen utensils, and bicycle parts became central motifs in his oil painting.
After completing his studies, Steyer independently sought clients and developed an unusual sales model. He painted technically inspired objects such as ball bearings, radiator figures, or microphones and sold these works directly to manufacturers. At the same time, he contacted musicians he admired, borrowed their instruments, and created large-scale paintings of guitars. Some of these works were later used for album covers, including the image of Mark Knopfler's Steel Guitar for Dire Straits' album 'Brothers in Arms.'
In 1984, Steyer discovered the work with the airbrush through a chance encounter with the English illustrator Tom Stimpson. The new technique opened up new possibilities for him and led to a successful phase in advertising illustration, during which he distinguished himself particularly through photorealistic representations.
In 1989, Steyer moved to Australia after thirteen years in London and settled in Sydney. There, he continued working as an illustrator and freelance painter. Over time, both activities developed in different directions. While his illustrations became increasingly realistic, his free painting shifted more and more towards abstraction. Large, color-intensive works emerged as a conscious counterpoint to his precise, figurative commissioned work.
In 1995, Steyer began to engage intensively with digital image creation. He was among the first illustrators in Australia to switch their entire workflow to digital systems. This step enabled him to have an international focus in his work and a considerable independence from geographical boundaries.
After a total of 27 years abroad, Steyer returned to Germany in 2003 and settled in the Markgräflerland between Freiburg and Basel. He has lived and worked there ever since. The experiences from different countries, fields of work, and artistic phases influence his current painting and form the basis for a body of work that conveys a balance between structure and freedom, control and intuition.
You can find more insights at:
www.thomas-steyer.de
Details
Artist
Thomas Steyer
Edition
Original
Sold by
Direct from the artist
Sold with frame
No
Title of artwork
Ice Age Glimmer
Technique
Oil painting
Signature
Signed
Country of Origin
Germany
Year
2022
Condition
Excellent condition
Colour
Blue, Orange, Purple, White
Height
120 cm
Width
80 cm
Weight
3 kg
Depiction/Theme
Landscape
Style
Abstract
Period
2020+
Sold by
