EMIR BERCUTTE - THE WALL IS A WEAPON- Toile L






Over 10 years' experience in art trade and previously founded his own gallery.
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Emir Bercutte, 2024, mixed‑media AI artwork on canvas titled THE WALL IS A WEAPON, 80 × 80 cm, edition 1/10, signed by hand, origin France, sold by Galerie, ready to hang, in excellent condition.
Description from the seller
A magnificent street art piece in the style of the greatest street artist, Bansky.
This work is the result of a silent artistic conversation between my imagination and a well-trained artificial intelligence algorithm called Midjourney.
Canvas print mounted on a wooden frame, ready to hang.
The certificate of authenticity as well as the signed label by the artist to be affixed to the back of the painting are sent separately by mail for security reasons.
The work is directly shipped by our German partner laboratory for quality reasons.
Who is the artist?
EMIR BERCUTTE, born in 1968 in Paris, Emir Bercutte develops an early sensitivity to urban landscapes and the forms of expression that traverse them. After a long period outside the institutional art scene, he fully commits to creation starting in 2010.
Passionate about street art, which he considers the most direct and vibrant of contemporary visual writings, he begins by traveling through cities around the world to document their walls. His photographic work focuses on ephemeral artworks, the traces left by the artists, and the silent dialogues between the street, architecture, and images. He photographs both the great capitals and more peripheral territories as well, building over the years a vast visual archive of global street art.
In 2023, Emir Bercutte marks a new turning point by integrating artificial intelligence into his practice. He approaches it not as a disruptive tool, but as an extension of his eye as a photographer and lover of street art. Starting from his own images and references drawn from urban culture, he creates hybrid works where the memory of walls, tags, and murals dialogues with shapes generated by AI. His compositions interrogate the notion of authorship, reproduction, and the survival of images in a digital world.
Today, Emir Bercutte’s work sits at the frontier between photography and algorithmic creation, offering a new way of thinking about street art in the era of artificial intelligence.
A magnificent street art piece in the style of the greatest street artist, Bansky.
This work is the result of a silent artistic conversation between my imagination and a well-trained artificial intelligence algorithm called Midjourney.
Canvas print mounted on a wooden frame, ready to hang.
The certificate of authenticity as well as the signed label by the artist to be affixed to the back of the painting are sent separately by mail for security reasons.
The work is directly shipped by our German partner laboratory for quality reasons.
Who is the artist?
EMIR BERCUTTE, born in 1968 in Paris, Emir Bercutte develops an early sensitivity to urban landscapes and the forms of expression that traverse them. After a long period outside the institutional art scene, he fully commits to creation starting in 2010.
Passionate about street art, which he considers the most direct and vibrant of contemporary visual writings, he begins by traveling through cities around the world to document their walls. His photographic work focuses on ephemeral artworks, the traces left by the artists, and the silent dialogues between the street, architecture, and images. He photographs both the great capitals and more peripheral territories as well, building over the years a vast visual archive of global street art.
In 2023, Emir Bercutte marks a new turning point by integrating artificial intelligence into his practice. He approaches it not as a disruptive tool, but as an extension of his eye as a photographer and lover of street art. Starting from his own images and references drawn from urban culture, he creates hybrid works where the memory of walls, tags, and murals dialogues with shapes generated by AI. His compositions interrogate the notion of authorship, reproduction, and the survival of images in a digital world.
Today, Emir Bercutte’s work sits at the frontier between photography and algorithmic creation, offering a new way of thinking about street art in the era of artificial intelligence.
