Dikhotomy - Soft Temptation - No Reserve - Unique Edition





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Dikhotomy presents Soft Temptation - No Reserve - Unique Edition, a 1/1 giclée digital print on 350 gsm cotton canvas, 50 × 70 cm (image 40 × 60 cm with 5 cm white margins), hand-signed on the back and accompanied by a stamped seal and a certificate of authenticity, produced in Spain and sold directly from the artist.
Description from the seller
● Exclusive Unique Edition (1/1) – Giclée print on 350 gsm cotton canvas, full size 50 × 70 cm.
The image itself measures 40 × 60 cm and is printed with 5 cm. white margins on all sides, allowing for a clean, professional mounting without cropping the artwork. Perfect for framing or stretching. The artwork is hand-signed on the back by the artist and includes a stamped seal and a certificate of authenticity (COA).
/// "The portrait adopts an almost playful attitude without losing solemnity. Sweetness appears as an act of everyday resistance. The cotton candy breaks the solemnity without canceling it and turns the figure into a subtle reflection on pleasure, childhood and artifice, the contained expression and direct gaze maintain the dignity of the subject while the sweet element acts as a symbol of light temptation and innocent consumption"///
● A unique collector’s experience – After your purchase, you’ll receive a digital certificate via email. Inside the package, you’ll also find a printed card signed by hand, along with an exclusive certificate containing full artist details and proof of authenticity.
● Secure & eco-friendly packaging – Carefully rolled into a recyclable cardboard tube and placed inside a rigid box for extra protection. Insured shipping with tracking number. Orders are prepared within 24–48 hours. Estimated delivery: 3–5 business days within Europe, 5–7 days internationally.
● About the Artist:
Original work by Nando López, a digital artist based in Barcelona. Trained in advertising design, he began his career in agencies and design studios before fully transitioning into fashion illustration, collaborating with internationally recognized brands.
● About the Dikhotomy Project:
For the past four years, Dikhotomy has been an ongoing series of digital collages and illustrations where classical art and contemporary culture collide unapologetically. Fragments of art history blend with pop elements, visual irony, and cultural critique to provoke both reflection and amusement.
Each piece is the result of a creative clash between handcrafted digital editing and AI-powered tools (midjourney and recraft) merging the human and the technological. Influenced by pop art and urban art, Dikhotomy is a deliberate parody of the art world and an invitation to view it from a new perspective.
● Highlights:
— Confirmed solo exhibition at Gamla Kraftstationen Gallery (Sweden), 1 May – 28 September 2025.
— Upcoming digital show: “Lost in Alteration” at the Digital Horizons Museum, 25–28 October 2025.
— His illustration “I am Jesus” was featured on the cover of Newsweek (Polish edition), further establishing his international reach.
— In addition to exhibiting at fairs and galleries, he collaborates with interior design and concept stores in Spain, France, Belgium, and Norway.
Inspiration: contemporary art, figurative painting, classical portrait, noble portrait, visual irony, everyday gesture, childish pleasure, sugar symbolism, historical contrast, baroque iconography, courtly aesthetic, historical attire, ruff collar, narrative painting, subtle humor, symbolic sweetness, profane pleasure, ambiguous innocence, soft social critique, slow painting, refined realism, painterly texture, sober palette, neutral background, intimate scene, conceptual art, ironic portrait, symbolic tension, altered temporality, past and present, minimal gesture, contemporary symbol, museum art, intervened portrait, aesthetic irony, poetic painting, refined art, historical dialogue, male figure, psychological portrait, jean baptiste simeon chardin, jean etienne liotard, early francisco de goya, bartolome esteban murillo, early franz xaver winterhalter, thomas gainsborough, sir joshua reynolds, maurice quentin de la tour, eighteenth century painting, rococo portrait, intimate classicism, european aesthetic, gallery art, collectible painting, museum portrait, contemporary symbolism, human gesture, ironic beauty, refined humor, european influence, subtle provocation, art dialogue, conceptual portrait
● Exclusive Unique Edition (1/1) – Giclée print on 350 gsm cotton canvas, full size 50 × 70 cm.
The image itself measures 40 × 60 cm and is printed with 5 cm. white margins on all sides, allowing for a clean, professional mounting without cropping the artwork. Perfect for framing or stretching. The artwork is hand-signed on the back by the artist and includes a stamped seal and a certificate of authenticity (COA).
/// "The portrait adopts an almost playful attitude without losing solemnity. Sweetness appears as an act of everyday resistance. The cotton candy breaks the solemnity without canceling it and turns the figure into a subtle reflection on pleasure, childhood and artifice, the contained expression and direct gaze maintain the dignity of the subject while the sweet element acts as a symbol of light temptation and innocent consumption"///
● A unique collector’s experience – After your purchase, you’ll receive a digital certificate via email. Inside the package, you’ll also find a printed card signed by hand, along with an exclusive certificate containing full artist details and proof of authenticity.
● Secure & eco-friendly packaging – Carefully rolled into a recyclable cardboard tube and placed inside a rigid box for extra protection. Insured shipping with tracking number. Orders are prepared within 24–48 hours. Estimated delivery: 3–5 business days within Europe, 5–7 days internationally.
● About the Artist:
Original work by Nando López, a digital artist based in Barcelona. Trained in advertising design, he began his career in agencies and design studios before fully transitioning into fashion illustration, collaborating with internationally recognized brands.
● About the Dikhotomy Project:
For the past four years, Dikhotomy has been an ongoing series of digital collages and illustrations where classical art and contemporary culture collide unapologetically. Fragments of art history blend with pop elements, visual irony, and cultural critique to provoke both reflection and amusement.
Each piece is the result of a creative clash between handcrafted digital editing and AI-powered tools (midjourney and recraft) merging the human and the technological. Influenced by pop art and urban art, Dikhotomy is a deliberate parody of the art world and an invitation to view it from a new perspective.
● Highlights:
— Confirmed solo exhibition at Gamla Kraftstationen Gallery (Sweden), 1 May – 28 September 2025.
— Upcoming digital show: “Lost in Alteration” at the Digital Horizons Museum, 25–28 October 2025.
— His illustration “I am Jesus” was featured on the cover of Newsweek (Polish edition), further establishing his international reach.
— In addition to exhibiting at fairs and galleries, he collaborates with interior design and concept stores in Spain, France, Belgium, and Norway.
Inspiration: contemporary art, figurative painting, classical portrait, noble portrait, visual irony, everyday gesture, childish pleasure, sugar symbolism, historical contrast, baroque iconography, courtly aesthetic, historical attire, ruff collar, narrative painting, subtle humor, symbolic sweetness, profane pleasure, ambiguous innocence, soft social critique, slow painting, refined realism, painterly texture, sober palette, neutral background, intimate scene, conceptual art, ironic portrait, symbolic tension, altered temporality, past and present, minimal gesture, contemporary symbol, museum art, intervened portrait, aesthetic irony, poetic painting, refined art, historical dialogue, male figure, psychological portrait, jean baptiste simeon chardin, jean etienne liotard, early francisco de goya, bartolome esteban murillo, early franz xaver winterhalter, thomas gainsborough, sir joshua reynolds, maurice quentin de la tour, eighteenth century painting, rococo portrait, intimate classicism, european aesthetic, gallery art, collectible painting, museum portrait, contemporary symbolism, human gesture, ironic beauty, refined humor, european influence, subtle provocation, art dialogue, conceptual portrait

