Emo Mazzetti (1870-1955) - Marina - XL format

Emo Mazzetti (Treviso, 1870 – Venice, 1955)

Marina

Oil on canvas

Signed at the bottom right

Frame dimensions: 90 x 120 cm
Painting: 70 x 100 cm


Emo Mazzetti was born in 1870 in Treviso and trained at the Academy of Fine Arts in Venice, where his teacher was Guglielmo Ciardi.
Following his example, he devoted himself to landscape painting, studying the scenes firsthand and analyzing the variations of light, painting at various times of the day.
Their style is characterized by a rich and bold brushstroke.
In his landscapes, echoes of Romanticism and Symbolism are evident.
He participated in several Italian and foreign exhibitions, exhibiting at the Venice, Munich, Saint Petersburg and Hanover Biennials.
In 1892 he presented to the Promotrice of Genoa three paintings: "Verso sera", "Dopo la pioggia" and "Bacino S. Marco"; while in 1896 he exhibited at the Promotrice
The Turinese, Sedici studi dal vero and S. Cipriano di Cordevole; he returned there two years later with "Temporis".
"Labor" and October.
In 1899, however, he took part in the Venice Biennale with Il "Fiocobon" - "Dolomiti di San"
Martino, the following year he exhibited at the Verona Society of Fine Arts' exhibition "Sera in Laguna".
The painter was intent on admiring both marine and mountainous environments, often loading his paintings with echoes of Romantic and Symbolist currents, recalling the language of Arnold Böcklin and Caspar David Friedrich, as in “Venezia Sant’Angelo” or “Shipwreck.” The canvases indeed convey a panicked conception of nature and, in some cases, its unassailable force.
Among seascapes, mountainous scenes and still lifes,
He continued his participation in cultural exhibitions: in 1903 he took part in the Florence Exposition with “Frutta e Novembre.” In 1907 he presented ten works at the Treviso Art Show and in the same year exhibited “Sul prato” and “Sosta” at the Venice Biennale.
In 1909 he returned with "Mournful Chimes" and "Gray Weather" and he was also present at the Venice Biennale edition of 1914 with "Old Corsair". After a pause of about ten years, he returned to the Treviso exhibition, displaying four works. In 1929 he presented a Still Life at the Treviso exhibition and in 1930 he exhibited "Pumpkins" at the fascist syndicate in Turin.
Some of his/her works are held in the collections of the Galleria d'Arte Moderna in Venice, the Pinacoteca Comunale in Treviso, and the Museo Marangoni in Udine.
The work 'Pineta di notte', presented at the Venetian Biennale in 1909, was purchased by Victor Emmanuel III.

A painter regarded as one of the most important of the first half of the twentieth century.

The painting in question stands out for its high quality of workmanship and its impressive dimensions.

Insured shipment

An authentic work in good condition, a sure investment and extremely interesting for collectors.


The frame shown in the photos is provided at no additional cost so that the artwork can be displayed immediately upon arrival. It is included as a courtesy and is not considered an integral part of the artwork. Therefore, any potential damage to the frame that does not affect the artwork itself will not constitute valid grounds for opening a complaint or requesting order cancellation.